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Philip Sington
“The railway was part scalpel, part movie camera, slicing the city open, parading its inner workings at fifty frames per second. It was on the S-Bahn that she felt least abandoned, as if the act of travelling turned back the clock, and brought her nearer to the future she had lost.”
― Philip Sington, The Einstein Girl

Philip Sington
“Old Prague was a story-book city caked in grime: ancient, soot-blackened. History lived in every detail: in the deerstalker rooftops and the blue-sparking trams. He wandered the streets in disbelief, photographing everything, images from Kafka crowding into his head. With the turn of every corner it came back to him: the special frisson you get behind enemy lines.”
― Philip Sington, Zoia's Gold

Philip Sington
“For the writer under Actually Existing Socialism describing sex is a simple matter: he simply does not do it (the describing, I mean, not the sex).”
― Philip Sington, The Valley of Unknowing

Philip Sington
“That was the dream of Montparnasse: to live for the moments of the greatest intensity, to find in them a truthful inspiration, and to hell with all the rest.”
― Philip Sington, Zoia's Gold

Philip Sington
“Who is the other woman whose photograph I do not have? If my mother was the first in my life, she was the last: my lover and my downfall, my hope and my despair. Her photographs I burned in an ashtray, one at a time - some might say to be rid of the evidence. Her name was Theresa Aden: Theresa like the saint; Aden like Eden, complete with snake.”
― Philip Sington, The Valley of Unknowing

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