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Philip Sington
“For the writer under Actually Existing Socialism describing sex is a simple matter: he simply does not do it (the describing, I mean, not the sex).”
Philip Sington, The Valley of Unknowing

Philip Sington
“Old Prague was a story-book city caked in grime: ancient, soot-blackened. History lived in every detail: in the deerstalker rooftops and the blue-sparking trams. He wandered the streets in disbelief, photographing everything, images from Kafka crowding into his head. With the turn of every corner it came back to him: the special frisson you get behind enemy lines.”
Philip Sington, Zoia's Gold

Philip Sington
“That was the dream of Montparnasse: to live for the moments of the greatest intensity, to find in them a truthful inspiration, and to hell with all the rest.”
Philip Sington, Zoia's Gold

Philip Sington
“The railway was part scalpel, part movie camera, slicing the city open, parading its inner workings at fifty frames per second. It was on the S-Bahn that she felt least abandoned, as if the act of travelling turned back the clock, and brought her nearer to the future she had lost.”
Philip Sington, The Einstein Girl

Philip Sington
“Who is the other woman whose photograph I do not have? If my mother was the first in my life, she was the last: my lover and my downfall, my hope and my despair. Her photographs I burned in an ashtray, one at a time - some might say to be rid of the evidence. Her name was Theresa Aden: Theresa like the saint; Aden like Eden, complete with snake.”
Philip Sington, The Valley of Unknowing

year in books
Eric Dear
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