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Dino Buzzati
“Nel sogno c'è sempre qualcosa di assurdo e confuso, non ci si libera mai della vaga sensazione ch'è tutto falso, che un bel momento ci si dovrà svegliare.”
Dino Buzzati, The Tartar Steppe

Warsan Shire
“later that night
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?

it answered
everywhere
everywhere
everywhere.”
Warsan Shire

Michael Ondaatje
“Tell me, is it possible to love someone who is not as smart as you are?” Caravaggio, in a belligerent morphine rush, wanted the mood of argument. “This is something that has concerned me most of my sexual life—which began late, I must announce to this select company. In the same way the sexual pleasure of conversation came to me only after I was married. I had never thought words erotic. Sometimes I really do like to talk more than fuck. Sentences. Buckets of this buckets of that and then buckets of this again. The trouble with words is that you can really talk yourself into a corner. Whereas you can’t fuck yourself into a corner.” “That’s a man talking,” muttered Hana. “Well, I haven’t,” Caravaggio continued, “maybe you have, Kip, when you came down to Bombay from the hills, when you came to England for military training. Has anyone, I wonder, fucked themselves into a corner. How old are you, Kip?” “Twenty-six.” “Older than I am.” “Older than Hana. Could you fall in love with her if she wasn’t smarter than you? I mean, she may not be smarter than you. But isn’t it important for you to think she is smarter than you in order to fall in love? Think now. She can be obsessed by the Englishman because he knows more. We’re in a huge field when we talk to that guy. We don’t even know if he’s English. He’s probably not. You see, I think it is easier to fall in love with him than with you. Why is that? Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.”
Michael Ondaatje, The English Patient

Emil M. Cioran
“What I know at sixty, I knew as well at twenty. Forty years of a long, a superfluous, labor of verification.”
Emil Cioran, The Trouble With Being Born

“You’re not doing well and finally I don’t have to
pretend to be so interested in your on going tragedy,

but

I’ll rob the bank that gave you the impression that
money is more fruitful than words, and
I’ll cut holes in the ozone if it means you have one less day of rain.
I’ll walk you to the hospital,
I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to
locate the malady that keeps your mind guessing, and
I want to write you a poem every day until my hand breaks
and assure you that you’ll find your place,
it’s just
the world has a funny way of
hiding spots fertile enough for
bodies like yours to grow roots.

and

I miss you like a dart hits the iris of a bullseye,
or a train ticket screams 4:30 at 4:47, I
wanted to tell you that it’s my birthday on Thursday
and I would have wanted you to
give me the gift of your guts on the floor, one last time,
to see if you still had it in you.

I hope our ghosts aren’t eating you alive.
If I’m to speak for myself, I’ll tell you that
the universe is twice as big as we think it is
and you’re the only one that made that idea
less devastating.”
Lucas Regazzi

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