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Diane Ackerman
“That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.”
Diane Ackerman, A Natural History of the Senses

Kurt Vonnegut Jr.
“True terror is to wake up one morning and discover that your high school class is running the country.”
Kurt Vonnegut

Joseph Conrad
“I don't like work--no man does--but I like what is in the work--the chance to find yourself. Your own reality--for yourself not for others--what no other man can ever know. They can only see the mere show, and never can tell what it really means.”
Joseph Conrad, Heart of Darkness
tags: work

Robert Burns
“The best laid schemes o' mice an' men gang aft agley.”
Robert Burns, Collected Poems of Robert Burns

“The greatest thing I learned while taking classes at Second City was the very first thing they taught: 'Yes, and...'. In improv, you keep scenes alive but accepting whatever you are given and then adding to it or amplifying it. There is no space on stage for 'No,' 'I'm sorry, you're mistaken,' or 'Yes, but...'. Those transitions kill energy, set up interpersonal conflict, engage the ego in a defensive posture, and stymie the flow of conversation onstage.”
Jason Seiden, How to Self-Destruct: Making the Least of What's Left of Your Career

year in books
Adam
1,521 books | 278 friends

Tim Regan
843 books | 104 friends

Emma Quinn
355 books | 36 friends

Jennifer
366 books | 84 friends

Tim Meese
11 books | 18 friends

Tim
Tim
190 books | 17 friends

Julie
1,686 books | 136 friends

Matthew
28 books | 22 friends

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