

“We look up at the same stars and see such different things.”
― A Storm of Swords
― A Storm of Swords

“I had absolutely no interest in being somebody else's muse.
I am not a muse.
I am the somebody.
End of fucking story.”
― Daisy Jones & The Six
I am not a muse.
I am the somebody.
End of fucking story.”
― Daisy Jones & The Six

“The truth is, everyone likes to look down on someone. If your favorites are all avant-garde writers who throw in Sanskrit and German, you can look down on everyone. If your favorites are all Oprah Book Club books, you can at least look down on mystery readers. Mystery readers have sci-fi readers. Sci-fi can look down on fantasy. And yes, fantasy readers have their own snobbishness. I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.”
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“Das habe ich gelernt: Liebe ist ein Wort, das du nur mit blutroter Tinte schreiben solltest. Liebe treibt dich dazu, die seltsamsten Dinge zu tun. Sie lässt dich regenbogenfarbene Bonbons verteilen, sie lässt dich in roten Schuhen durch die Straßen tanzen, und sie schreckt nicht davor zurück, dich nachts mit blutenden Händen Gräber in paradiesische Gärten hacken zu lassen. Liebe schlägt dir tiefe Wunden, aber auf eine ihr eigene Art heilt sie auch deine Narben, vorausgesetzt, du vertraust ihr und gibst ihr die Zeit dazu. Meine Narben werde ich nicht anrühren. Ich werde neue Wunden davontragen, noch ehe die alten verheilt sind, und ich werde anderen Menschen Wunden zufügen. Jeder von uns trägt ein Messer." (S.456f.)”
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“I do not aim with my hand; he who aims with his hand has forgotten the face of his father.
I aim with my eye.
I do not shoot with my hand; he who shoots with his hand has forgotten the face of his father.
I shoot with my mind.
I do not kill with my gun; he who kills with his gun has forgotten the face of his father.
I kill with my heart.”
― The Gunslinger
I aim with my eye.
I do not shoot with my hand; he who shoots with his hand has forgotten the face of his father.
I shoot with my mind.
I do not kill with my gun; he who kills with his gun has forgotten the face of his father.
I kill with my heart.”
― The Gunslinger
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