Claire

“Baldwin told the story again and again of standing on Broadway and being told by Delaney to look down. Delaney asked him what he saw, and Baldwin said a puddle. Delaney said, 'Look again,' and then Baldwin saw the reflections of the buildings, distorted and radiant in the oil on the puddle. He taught me to see, Baldwin said, and that 'what one cannot or will not see, says something about you.”
― Rachel Cohen, A Chance Meeting : Intertwined Lives of American Writers and Artists, 1854-1967

“You must find your own quiet center of life, and write from that to the world that holds offices, and all society... In short, you must write to the human heart, the great consciousness that all humanity goes to make up. Otherwise what might be strength in a writer is only crudeness, and what might be insight is only observation; sentiment falls to sentimentality - you can write about life, but never write life itself... To work in silence and with all one's heart, that is the writer's lot; he is the only artist who must be a solitary, and yet needs the widest outlook upon the world.”
― Sarah Orne Jewett

“You are always asking me why the people don’t do something, why they put up with this brutality, why they don’t rise up against it, this and that. Okay. You’re exhausted, you’re shocked, you’re sick to your stomach, and you feel dirty. These things are what people feel every day here—and you expect them to get themselves organized? You expect them to fight back? Could you fight back at this moment?”
― Carolyn Forché, What You Have Heard Is True: A Memoir of Witness and Resistance

“And I saw that what divided me from the world was not anything intrinsic to us but the actual injury done by people intent on naming us, intent on believing that what they have named us matters more than anything we could ever actually do. In America, the injury is not in being born with darker skin, with fuller lips, with a broader nose, but in everything that happens after.”
― Ta-Nehisi Coates, Between the World and Me