“since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a far better fate
than wisdom
lady i swear by all flowers. Don't cry
--the best gesture of my brain is less than
your eyelids' flutter which says
we are for eachother: then
laugh, leaning back in my arms
for life's not a paragraph
And death i think is no parenthesis”
―
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a far better fate
than wisdom
lady i swear by all flowers. Don't cry
--the best gesture of my brain is less than
your eyelids' flutter which says
we are for eachother: then
laugh, leaning back in my arms
for life's not a paragraph
And death i think is no parenthesis”
―
“i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses”
―
and opens;only something in me understands
the voice of your eyes is deeper than all roses”
―
“As far as expressing the creative turmoil within my head was concerned, I took to the English language as a duck takes to water. I was therefore a keen accomplice and student in my own mental colonisation . . . For a black writer the language is very racist; you have to have harrowing fights and hair-raising panga duels with the language before you can make it do all that you want it to do . . . This may mean discarding grammar, throwing syntax out, subverting images from within, beating the drum and cymbals of rhythm, developing torture chambers of irony and sarcasm, gas ovens of limitless black resonance.”
― The House of Hunger
― The House of Hunger
aiden’s 2025 Year in Books
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