Kietil

“Thus, even in our day the unity of consciousness is still a doubtful affair; it can too easily be disrupted. An ability to control one’s emotions that may be very desirable from one point of view would be a questionable accomplishment from another, for it would deprive social intercourse of variety, color, and warmth.”
― C.G. Jung, Man and His Symbols

“But there is a great difficulty that I have mentioned only indirectly up till now. This is that every personification of the unconscious—the shadow, the anima, the animus, and the Self—has both a light and a dark aspect. We saw before that the shadow may be base or evil, an instinctive drive that one ought to overcome. It may, however, be an impulse toward growth that one should cultivate and follow. In the same way the anima and animus have dual aspects: They can bring life-giving development and creativeness to the personality, or they can cause petrification and physical death. And even the Self, the all-embracing symbol of the unconscious, has an ambivalent effect, as for instance in the Eskimo tale (this page), when the “little woman” offered to save the heroine from the Moon Spirit but actually turned her into a spider.”
― C.G. Jung, Man and His Symbols

“Suppressed and wounded instincts are the dangers threatening civilized man; uninhibited drives are the dangers threatening primitive man. in both cases the "animal" is alienated from its true nature; and for both, the acceptance of the animal soul is the condition for wholeness and a fully lived life. Primitive man must tame the animal in himself and make it his helpful companion: civilized man must heal the animal in himself and make it his friend.”
― M.-L. von Franz, Man and His Symbols

“In the middle of our century, the purely abstract picture without any regular order of forms and colors has become the most frequent expression in painting. The deeper the dissolution of "reality," the more the picture loses its symbolic content. The reason for this lies in the nature of the symbol and its function. The symbol is an object of the known world hinting at something unknown; it is the known expressing the life and sense of the inexpressible. But in merely abstract paintings, the world of the known has completely vanished. Nothing is left to form a bridge to the unknown.”
― Aniela Jaffé, Man and His Symbols