Suroor

“The children quivered and drew the quilt up to their noses, and Luce could feel them squirming towards her, their feet reaching under the covers to touch her hip where she sat on the edge of the bed. When the big goat laid the troll low, they drew a deep breath and let it out slow. By the third night, she had them joining her to shout the final lines. Snip, snap, snout. This tale’s told out.”
― Charles Frazier, Nightwoods

“I soon realized what is missing can sometimes tell you more about a country’s history than what remains. I also learned that Siberia is bigger, more alluring and far more complicated than the archetypes might suggest—much bigger, in fact, than all the assumptions I had made when my plans began to germinate, then proliferate, and I found myself caught up in the momentum of travelling a ravishingly surprising place.”
― Sophy Roberts, The Lost Pianos of Siberia

“Siberia is a nightmare or a myth full of impenetrable forests and limitless plains, its murderous proportions strung with groaning oil derricks and sagging wires. Siberia is all those things, and more as well.”
― Sophy Roberts, The Lost Pianos of Siberia

“She sipped Scotch considerably older than she was, the taste of time in its passing, in harmony with the outer world, where poplars were already half bare and long grasses drooped burnt from the first frost. The call of an evening bird, and the sun low. Bands of lavender and slate clouds moving against a metallic sky, denoting the passage of autumn. Fallen leaves blown onto the porch. The planet racking around again toward winter.”
― Charles Frazier, Nightwoods