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Ralph Waldo Emerson
“The louder he talked of his honor, the faster we counted our spoons.”
Ralph Waldo Emerson, The Conduct of Life: By Ralph Waldo Emerson

Lúcio Cardoso
“I went over to the bed and knelt down beside it. I saw that she was still breathing, not in the hoarse, distressing way she had been breathing over the last few days, but almost serenely, as if the sacrament really had brought her relief. Then I took her pulse and felt it beating, rather irregularly, but beating nonetheless, and that was enough to assure me that she was still there. Finally, I carefully tried to prize open her eyelids, so that she could, if possible, see me, or so that I could at least see her, even if she could not see me. If my image could no longer penetrate the place where she now found herself, and I was, for her, merely a dull, meaningless thing, I wanted at least to be able to see my own image in those opaque pupils and feel myself floating on the surface of that world that had once been mine and which, now that it was lost, would bear me up as indifferently as a wave washing over a dead body. And I was thinking this even as I was trying to open her eyelids, which insisted on closing, while, meanwhile, everything inside me rebelled against being made an outcast, an exile, and I wanted her to see me, for my presence once more to illumine her inner world, which was, at that moment, heading into endless night, the desert where she would know nothing about me.”
Lúcio Cardoso, Crônica da Casa Assassinada
tags: death

Voltaire
“Being unable to make people more reasonable, I preferred to be happy away from them”
Voltaire

Alasdair Gray
“He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.”
Alasdair Gray, Lanark

Roberto Bolaño
“Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.”
Roberto Bolano, 2666

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