Inès Nahedh

“During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.”
― Edgar Allan Poe, The Fall of the House of Usher and Other Tales

“HELMER: But this is disgraceful. Is this the way you neglect your most sacred duties?

NORA: What do you consider is my most sacred duty?

HELMER: Do I have to tell you that? Isn't it your duty to your husband and children?

NORA: I have another duty, just as sacred.

HELMER: You can't have. What duty do you mean?

NORA: My duty to myself.”
― Henrik Ibsen, A Doll's House