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Osamu Dazai
“それは、自分の、人間に対する最後の求愛でした”
Osamu Dazai, No Longer Human

Osamu Dazai
“I feel so unhappy.”

I am sure that this one phrase whispered to me would arouse my sympathy more than the longest, most painstaking account of a woman’s life. It amazes and astonishes me that I have never once heard a woman make this simple statement. This woman did not say, “I feel so unhappy” in so many words, but something like a silent current of misery an inch wide flowed over the surface of her body. When I lay next to her my body was enveloped in her current, which mingled with my own harsher current of gloom like a “withered leaf settling to rest on the stones at the bottom of a pool.” I had freed myself from fear and uneasiness.”
Osamu Dazai, No Longer Human

Osamu Dazai
“Actions punishable by jail sentences are not the only crimes. If we knew the antonym of crime, I think we would know its true nature. God . . . salvation . . . love . . . light. But for God there is the antonym Satan, for salvation there is perdition, for love there is hate, for light there is darkness, for good, evil. Crime and prayer? Crime and repentance? Crime and confession? Crime and ... no, they’re all synonymous. What is the opposite of crime?”
Osamu Dazai, No Longer Human

Osamu Dazai
“Disqualified as a human being.”
Osamu Dazai, No Longer Human

Osamu Dazai
“I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it.
Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime.
I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.”
Osamu Dazai, No Longer Human

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