Abi

“The farm brook ran down from the mountain in a straight line for the fold then swerved to the west to go its way down into the marshes. There were two knee-high falls in it and two pools, knee-deep. At the bottom there was shingle, pebbles and sand. It ran in many curves. Each curve had its own tone, but not one of them was dull; the brook was merry and music-loving, like youth, but yet with various strings, and it played its music without thought of any audience and did not care though no one heard for a hundred years, like the true poet.”
― Halldór Laxness, Independent People

“How the moon triumphs through the endless nights!
How the stars throb and glitter as they wheel
Their thick processions of supernal lights
Around the blue vault obdurate as steel!
And men regard with passionate awe and yearning
The mighty marching and the golden burning,
And think the heavens respond to what they feel.

Boats gliding like dark shadows of a dream
Are glorified from vision as they pass
The quivering moonbridge on the deep black stream;
Cold windows kindle their dead glooms of glass
To restless crystals; cornice dome and column
Emerge from chaos in the splendour solemn;
Like faery lakes gleam lawns of dewy grass.

With such a living light these dead eyes shine,
These eyes of sightless heaven, that as we gaze
We read a pity, tremulous, divine,
Or cold majestic scorn in their pure rays:
Fond man! they are not haughty, are not tender;
There is no heart or mind in all their splendour,
They thread mere puppets all their marvellous maze.”
― James Thomson, The City of Dreadful Night

“And now at last authentic word I bring,
Witnessed by every dead and living thing;
Good tidings of great joy for you, for all:
There is no God; no Fiend with names divine
Made us and tortures us; if we must pine,
It is to satiate no Being's gall.

It was the dark delusion of a dream,
That living Person conscious and supreme,
Whom we must curse for cursing us with life;
Whom we must curse because the life he gave
Could not be buried in the quiet grave,
Could not be killed by poison or the knife.

This little life is all we must endure,
The grave's most holy peace is ever sure,
We fall asleep and never wake again;
Nothing is of us but the mouldering flesh,
Whose elements dissolve and merge afresh
In earth, air, water, plants, and other men.

We finish thus; and all our wretched race
Shall finish with its cycle, and give place
To other beings with their own time-doom:
Infinite aeons ere our kind began;
Infinite aeons after the last man
Has joined the mammoth in earth's tomb and womb.”
― James Thomson, The City of Dreadful Night

“Who is most wretched in this dolorous place?
I think myself; yet I would rather be
My miserable self than He, than He
Who formed such creatures to His own disgrace.

The vilest thing must be less vile than Thou
From whom it had its being, God and Lord!
Creator of all woe and sin! abhorred
Malignant and implacable! I vow

That not for all Thy power furled and unfurled,
For all the temples to Thy glory built,
Would I assume the ignominious guilt
Of having made such men in such a world.

As if a Being, God or Fiend, could reign,
At once so wicked, foolish and insane,
As to produce men when He might refrain!

The world rolls round for ever like a mill;
It grinds out death and life and good and ill;
It has no purpose, heart or mind or will.

While air of Space and Time's full river flow
The mill must blindly whirl unresting so:
It may be wearing out, but who can know?

Man might know one thing were his sight less dim;
That it whirls not to suit his petty whim,
That it is quite indifferent to him.

Nay, does it treat him harshly as he saith?
It grinds him some slow years of bitter breath,
Then grinds him back into eternal death.”
― James Thomson, The City of Dreadful Night