Carole

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Book cover for The Thursday Murder Club (Thursday Murder Club, #1)
Ian Ventham had bought two to look quirky in sales photos and it had got out of hand, as these things do.
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Darcy Leech
“My mom’s smile is genuine,
A lilac beaming
In the presence of her Sun.

Indentions in the sand prove
Time’s linear progression,

Her hair yet unblighted,
Carrying midnight’s consistency.

Clear tracks fading as the
Movement slips further
In the past.

Cheekbones
High, soft,
In summer’s hue,
Hopeful.

Each step’s unknown impact,
A future looking back.

My father’s strength:
One whose
Life is in his arms.

Squinting past the camera,
He rests upon a rock
Like caramel corn half eaten,

Just to the left
Of man-made concrete convention

Daylight’s eraser
Removing color to his right.

Dustin sits
In my father’s lap,
Open mouth of a drooling
Big mouth bass;

Muscle tone
Of a well exercised
Jelly fish,

He looks at me
Half aware;

His wheelchair
Perched at the edge
Of parking lot gravel grafted
Like a scar on nature’s beach,

Opening to the ironic splendor
Of a bitter tasting lake.

I took the picture.

Age 11.

Capturing the pinnacle arc
Of a son
To my lilac
Who
Outlived him and weeps,

Still.

Their sky has staple holes –

Maybe that’s how the
Light
Leaked out.”
Darcy Leech, From My Mother

“Fancourt can't write women,' said Nina dismissively. 'He tries but he can't do it. His women are all temper, tits and tampons.”
Robert Galbraith, The Silkworm

Madeline Miller
“The greater the monument, the greater the man. The stone the Greeks quarry for his grave is huge and white, stretching up to the sky. A C H I L L E S, it reads. It will stand for him, and speak to all who pass: he lived and died, and lives again in memory.”
Madeline Miller, The Song of Achilles

Madeline Miller
“Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”

My scalp prickled where his fingers had been. “You haven’t,” I said.

“I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”

“No,” I said.

“This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”

“That you have told me.” My breath caught a little as I spoke.

“And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”

“You have.”

“And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”

“You did not.”

“There is this too.” His hand was ceaseless now. “I know I have told you of this.”

I closed my eyes. “Tell me again,” I said.”
Madeline Miller, The Song of Achilles

Madeline Miller
“I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
"Go," she says. "He waits for you."

In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
Madeline Miller, The Song of Achilles

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