Thevisforvampire

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Nevada Barr
“Prison would kill him. Not neatly or cleanly or quickly, It would kill him with ten thousand days of gray, each taking a bite of his sanity until all that remained was huddled terror with the body of a man wrapped around it.”
Nevada Barr, The Rope

Kiera Cass
“It was a delicious feeling, falling in love. I'd had so many luxuries in my life, and I thought I'd had a taste of this before, but I realized now it was merely a cheap imitation of something not meant to be imitated in the first place.”
Kiera Cass, The Crown

Donna Tartt
“Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?” he said. “It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, ‘more like deer than human being.’ To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
Donna Tartt, The Secret History

“Terror, on its surface, cuts hard and sharp as a knife, but at its heart, it swells and rolls like a sea. It isn't fixed into permanent shapes or symbols or even shadows. It's liquid, and we ingest it, and it ingests us.”
John Marks, Fangland

Melina Marchetta
“It’s not as if he’s good-looking, because he’s not. Sometimes he’s so plain that he looks bland. But it’s his voice and his mannerisms that fill him with some kind of color. I listen to his voice and its resonance hooks me in. The worry lines on his forehead, his expression when he twists his face into a smile, and the way his whole face lights up when he laughs those short bursts of laughter.”
Melina Marchetta, Saving Francesca

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