Alberta Secor

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Iain Banks
“The music machine played away - far away - and when I started to understand the lyrics of a Cocteau Twins song, I knew I was wrecked.”
Iain Banks, The Crow Road

“Ain’t none of you ever been stuck in the mud and needed a push? I won’t ask you how you can be for this and still call yourselves Christians, because one of you would have some kind of answer out of what I call the Holy-Joe-Do-It-My-Way Bible. But, Jeezly-Crow! How can you read the parable of the Good Samaritan on Sunday and then say you’re for a thing like this on Monday night?”
Richard Bachman, Blaze

Mark Z. Danielewski
“Photojournalism has frequently been lambasted for being the product of circumstance. In fact rarely are any of these images considered in terms of their composition and semantic intent. They are merely news, a happy intersection of event and opportunity. It hardly helps that photographs in general also take only a fraction of a second to acquire.

It is incredible how so many people can constantly misread speed to mean ease. This is certainly most common where photography is concerned. However simply because anyone can buy a camera, shutter away, and then with a slightly prejudiced eye justify the product does not validate the achievement. Shooting a target with a rifle is accomplished with similar speed and yet because the results are so objective no one suggests that marksmanship is easy.”
Mark Z. Danielewski, House of Leaves

Matthew Stokoe
“Fuck no, that stuff just comes from food. The real poison comes out of your head. All your fuck-ups and sadnesses and fears drop down like some sort of brainshit into your guts and build up there. That's what really fucks you up. I told you before.”
Matthew Stokoe, COWS

Mark Z. Danielewski
“By the time she turned fifteen, all of that was gone. She hardly spoke in class. She refused to function in any sort of school event, and rather than discuss her feelings she deferred the world with a hard and perfectly practiced smile.

Apparently—if her sister is to be believed—Karen spent every night of her fourteenth year composing that smile in front of a blue plastic handled mirror. Tragically her creation proved flawless and though her near aphonia should have alarmed any adept teacher or guidance counselor, it was invariably rewarded with the pyritic prize of high school popularity.”
Mark Z. Danielewski, House of Leaves

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