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Book cover for Song for the Basilisk
Hexel’s blue eyes were narrowed, his long, black hair looked suddenly windblown, though the candles behind him burned still. As a dramatist and composer, he had an exhausting passion for dramatics. He was lean, moody, intense; students at ...more
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Elizabeth Bonesteel
“They hadn’t seen it coming, any of them. They were out here, risking their lives, fighting for peace and expansion and people’s simple right to live an ordinary life, and their own government had treated them like chess pieces.”
― Elizabeth Bonesteel, Breach of Containment

Elizabeth Bonesteel
“And I would say to you, as an old man who has seen more than you have  .  .  . war is lazy. War is an easy answer. Perhaps, after this day, you might consider trying something else.”
― Elizabeth Bonesteel, Breach of Containment

“My point is that life on earth can take care of itself. In the thinking of a human being, a hundred years in a long time. A hundred years ago, we didn't have cars and airplanes and computers and vaccines...It was a whole different world. But to the earth, a hundred years is *nothing*. A million years is *nothing*. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We have been residents here for the blink of an eye. If we are gone tomorrow, the earth will not miss us."

- Ian Malcolm”
― Michael Crichton, Jurassic Park

Patricia A. McKillip
“He had made tiny pipes of feathers he had found along the streets; birds answered him here as they had in the hinterlands. A night-bird, singing back to his playing, showed him the loose bar in the iron fence, the furrowed earth along which the bar swung sideways, that told him, as the bird did, that others came here secretly. Around him, the sleeping city dreamed, tossed fretfully, muttered, dreamed again.”
― Patricia A. McKillip, Song for the Basilisk

Patricia A. McKillip
“she was, like the paintings and marble pillars, a background detail in the house of the Basilisk. Only her bowing, the unexpected, enthusiastic shrieks she got out of the peasant’s instrument, made her incongruous, and therefore real.”
― Patricia A. McKillip, Song for the Basilisk

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