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“Somewhere in the gray wood by the river is the huntsman and in the brooming corn and in the castellated press of cities. His work lies all wheres and his hounds tire not. I have seen them in a dream, slaverous and wild and their eyes crazed with ravening for souls in this world. Fly them.”
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“Dear friend now in the dusty clockless hours of the town when the streets lie black and steaming in the wake of the watertrucks and now when the drunk and the homeless have washed up in the lee of walls in alleys or abandoned lots and cats go forth highshouldered and lean in the grim perimeters about, now in these sootblacked brick or cobbled corridors where lightwire shadows make a gothic harp of cellar doors no soul shall walk save you.”
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“In Oakland, he saw two slum children sword fighting on a slag heap. In Palo Alto, a puffy fop in bursting jodhpurs shouted from the door of a luxurious stable, "My horse is soiled!" While one chilly evening in Union Square he listened to a wild-eyed young woman declaim that she had seen delicate grandmothers raped by Kiwanis zombies, that she had seen Rotarian blackguards bludgeoning Easter bunnies in a coal cellar, that she had seen Irving Berlin buying an Orange Julius in Queens.”
― The Bushwhacked Piano
― The Bushwhacked Piano
“Facts do not find their way into the world in which our beliefs reside; they did not produce our beliefs, they do not destroy them; they may inflict on them the most constant refutations without weakening them, and an avalanche of afflictions or ailments succeeding one another without interruption in a family will not make it doubt the goodness of its God or the talent of its doctor.”
― Swann’s Way
― Swann’s Way
“As a rough rule, it seems that writers fall into two camps. There are those who delight in rousting the truth from its concealment amid pieties and convention. If they must strip-mine the world to expose its hypocrisy, they will do so, even if they leave a landscape barren of hope. Then there are those writers who prefer to remythologize life on earth, finding it rich with strange congruences and possibilities. ”
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