“It means the story of the play, its facts, events, epoch, time and place of action, conditions of life, the actors’ and regisseur’s interpretation, the mise-en-scene, the production, the sets, the costumes, properties, lighting and sound effects,—all the circumstances that are given to an actor to take into account as he creates his role. ‘If is the starting point, the given circumstances, the development. The one cannot exist without the other, if it is to possess a necessary stimulating quality. However, their functions differ somewhat: if gives the push to dormant imagination, whereas the given circumstances build the basis for if itself. And they both, together and separately, help to create an inner stimulus.”
― An Actor Prepares
― An Actor Prepares
“The night before the Pune match, we had gone out for dinner—Viru, Zak and I. Out of the blue, Viru told me, ‘Laxman bhai, you had a great opportunity to make a triple hundred in the Kolkata Test, but unfortunately, you didn’t. Now you wait and watch, I will become the first Indian to score 300 in Test cricket.’ My jaw dropped and I stared at him in astonishment. This guy had played just four ODIs, wasn’t anywhere close to Test selection, and here he was, making the most outrageous of claims. For a second, I thought he was joking, but Viru was dead serious. To be honest, I didn’t know what to make of it.”
― 281 and Beyond
― 281 and Beyond
“Everyone at every minute of his life must feel something. Only the dead have no sensations.”
― An Actor Prepares
― An Actor Prepares
“On the stage do not run for the sake of running, or suffer for the sake of suffering. Don’t act “in general”, for the sake of action; always act with a purpose.”
― An Actor Prepares
― An Actor Prepares
Rahul’s 2025 Year in Books
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