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Elif Batuman
“ended up having dinner with the Nagys. Everything was covered in sour cream.”
Elif Batuman, The Idiot

Elif Batuman
“Suddenly it occurred to me that maybe the point of writing wasn't just to record something past but also to prolong the present, like in One Thousand and One Nights, to stretch out the time until the next thing happened.”
Elif Batuman, The Idiot

Elif Batuman
“Misty frozen rain was whirling around as I left the building and walked back to the shuttle stop. The shuttle was somewhat less overcrowded than usual. I didn't get a seat but I had enough room to take out my Walkman, and occasionally I could see between people's heads out the window, and this made me cheerful. It was weird what was enough to make you feel good or bad, even though your basic life circumstances were the same.”
Elif Batuman, The Idiot

Elif Batuman
“Beautiful people lived in a different world, had different relations with people. From the beginning they were raised for love.”
Elif Batuman, The Idiot

Elif Batuman
“For a while now, I have been conscious of a tension in my relationship with you,” Svetlana said. “And I think that’s the reason. It’s because we both make up narratives about our own lives. I think that’s why we decided not to live together next year. Although obviously it’s also why we’re so attracted to each other.”

“Everyone makes up narratives about their own lives.”

“But not to the same extent. Think about my roommates. Fern, for example. I don’t mean that she doesn’t have an inner life, or that she doesn’t think about the past or make plans for the future. But she doesn’t compulsively rehash everything that happens to her in the form of a story. She’s in my story – I’m not in hers. That makes her and me unequal, but it also gives our relationship a kind of stability, and safeness. We each have our different roles. It’s like an unspoken contract. With you, there’s more instability and tension, because I know you’re making up a story, too, and in our story, I’m just a character.”

“I don’t know,” I said. “I still think everyone experiences their own life as a narrative. If you didn’t have some kind of ongoing story in mind, how would you know who you were when you woke up in the morning?”

“That’s a weak definition of narrative. That’s saying that narrative is just memory plus causality. But, for us, the narrative has aesthetics, too.”

“But I don’t think that’s because of our personalities,” I said. Isn’t it more about how much money our parents have? You and I can afford to pursue some narrative just because it’s interesting. You could go to Belgrade to come to terms with your life before the war, and I could go to Hungary to learn about Ivan. But Fern has to work over the summer.”

“...Fern is just an example. Valerie’s parents are engineers, she doesn’t have to work, but she’s still more like Fern than she is like us”

“I don’t know,” I said. “I guess it feels elitist to look at it that way.”

“Don’t you think you pretending not to be elitist is disingenuous?” Svetlana said. “If you really think about who you are, and what you value?”
Elif Batuman, The Idiot

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