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Elif Batuman
“In the train station, people were drinking coffee and reading newspapers. I felt glad to see that life was going on—actual life, where people were working and staying awake and trying to accomplish things, which was the point of coffee. There was a poem with that mood by Pasternak: “Don’t sleep, don’t sleep, artist.” It sounded better in Russian, because the word for “artist” had three syllables, it was an amphibrach, like “spaghetti,” or “appendix.” Don’t sleep, don’t sleep, gorilla, I thought as I went down the elevator to the subway platform.”
Elif Batuman, The Idiot

Elif Batuman
“Beautiful people lived in a different world, had different relations with people. From the beginning they were raised for love.”
Elif Batuman, The Idiot

Elif Batuman
“A student asking a question was sitting in an amazing posture: legs crossed at both the knee and the ankle, arms intertwined, elbows on the desk, fingers knit together, like his whole organic being aspired to be a French cruller.”
Elif Batuman, The Idiot

Elif Batuman
“I'm twenty-six," she said, as if it were bad news she had received only recently. "It isn't the age I feel like."

"What age do you feel like?"

"Nineteen -- like you."

But, to me, nineteen still felt old and somehow alien to who I was. It occurred to me that it might take more than a year -- maybe as many as seven years -- to learn to feel nineteen.”
Elif Batuman, The Idiot

Elif Batuman
“It’s hard to be sincere without sounding pretentious,” she said. “I mean, what are you supposed to do if you really happen to feel like you’ve swallowed the universe? Not say so?”
Elif Batuman, The Idiot

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