

“I have come more and more to the belief that we owe our arts a thousand times what we are paying them. We support our cigarette factories, soap manufacturers, beauticians, all the luxury and pleasure businesses of our over-indulged civilization, but we pay our painters an average wage... and yet when the future digs us from the past they won't care how we smell, what we smoke, or if we bathed. All they’ll know of us will be our architecture, our paintings, sculpture, poems, laws, philosophy, drama, our pottery and fabrics, the things which our hands made and our minds thought up - oh, the machines they’ll dig up too, but perhaps they’ll point to them as our destruction, the wheels that drove us down to death.”
― I Like What I Know: A Visual Autobiography
― I Like What I Know: A Visual Autobiography

“I'm extremely profane, unconsciously so, when I see something great for the first time; I don't know why, but beauty and profanity are related to me in the same way. It may be that I want to think of art in the vernacular, but I have no control over what comes out of my mouth when my eyes take in great beauty...it might just be the reason I avoid going to museums with elderly ladies.”
― I Like What I Know: A Visual Autobiography
― I Like What I Know: A Visual Autobiography

“There's something fascinating about seeing something you don't like at first but directly know you will love—in time. People are that way, all through life. You come against a personality, and it questions yours. You shy away but know there are gratifying secrets there, and the half-open door is often more exciting than the wide.”
― I Like What I Know: A Visual Autobiography
― I Like What I Know: A Visual Autobiography
Seasickart’s 2024 Year in Books
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