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“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
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“- Why me?
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
― Slaughterhouse-Five
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
― Slaughterhouse-Five
“I wonder how many people I've looked at all my life and never seen.”
― The Winter of Our Discontent
― The Winter of Our Discontent
Matthew’s 2025 Year in Books
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