brokebookmountain > Recent Status Updates

Finished! This took me way too long, honestly these stories were fun reads, but the last one took me a while. The last story was super slow, but very interesting (Taeko Kono's stories are always a little bit slow, but they usually pack a punch).

Naoki Urasawa AND Osamu Tezuka...oh i'm in for a ride. I've seen my mutual on Instagram, who's a huge fan of Monster, highly praising this series, so you know I have to read this. I will finish Monster when the time comes though I don't know when that will be...hahaha....

Reminds me of Hiromi Kawakami's People from My Neighborhood—weird, random, but charming! These are very short pieces of fiction too. The first two stories are pretty interesting, but nothing to write home about

Finished two stories from this collection, liked both of them. Let's see the rest

I found certain parts of it relatable, especially the long distance relationship and how, in this currently globalized world, telephones have become a way to access each other. I was in a LDR once (hated it), so I get why the characters feign innocence and guiltlessly use deception in their communication with each other.

Finished! Second book for #JapanInJanuary. Tawada's writing is so engrossing, but I admit I was confused by the time and places of each character at first—probably intentionally done to evoke the sense of dislocation and dissasociation mentioned in the foreword to this short book. Part of the Keshiki series, this is one of the chapbooks published by Strangers Press.

This really felt like an acid trip, like damn what is going on!!!!!

first time seeing the word "bussy" in a book

Oooo Haushofer's writing is deliciously gritty. So far this is really interesting

Dizzying, meandering, chaotic mess. But what a hypnotizing mess; I can't seem to keep my eyes off it. Jackson, Jerin, Ibuki, X: four queer mixed black men, all different and distinct but interchangeable in the homogeneous Japanese society they live in. It's honestly way different than I expected it to be, but I'm enjoying the ride. Jose Ando's writing is electric, decisive: all momentum, every direction.

My only problem with this story is that it felt a little too optimistic for me! I feel like people who died while they're still searching for the meaning of life or chasing their ambitions would be filled with way more regrets and sadness. But at the same time, I like that it's not depressing, that dying is just the next part of life. It's a very welcoming tale of death and of fulfilling your last wishes.

I like that Lim chose to make her characters in here to try one last time, to put in one last performance, instead of stewing in their regrets and not doing anything. To these characters, this is their last opportunity, and they shouldn't throw it away. I like that the characters still have a strong love of the world and community they live in, it felt heartwarming in a way.

This story moved me. Our main character used to live a life of diligence before applying for hundreds of jobs and failing miserably, which made her lose hope with living. She died in a freak accident, and upon her death, she reflects on the 100 hours she had left as the titular "curtain call, extra inning, last pang".

Curtain Call, Extra Inning, Last Pang — 3.75 stars
When we die, what happens to us? In this story, Lim imagines a world where pigeons work as messengers of death, giving us an extra five days as spectres/ghosts before going to the "next life", whatever the next life is. You're dead, and you only have 100 hours left. What do you do with that leftover time? Lim's characters chose to die with a last hurrah.

Disregarding the redundant theme, this story was still a decent read. It's probably the zaniest story in this collection, which I appreciate. Lim's stories are still a fun time, just that I wish we had more fresh, interesting material.

The themes of most of the stories here are the same, and even the approach is too similar. I think exploring one theme and one theme only in a collection of short stories can definitely be executed well, but the lack of diversity in its execution is what makes me feel a bit disappointed with this collection. It's like that one TikTok sound: "Create something else, come up with a new storyline!!"

I like my stories varied, and Lim's stories are all about alienation and isolation and heartbreak that I'm like...write something different please. It doesn't help that the stories nearing the end of this collection are becoming more and more bland for me, even with the bizarre characters and stories Lim deploys in them.

Don't get me wrong, I love stories about friendship and finding someone to connect with. But Lim' characters now almost looks the same, blending into one single person. A lonely person meets another lonely person, creating an unlikely bond. And I would be fine with that, but it gets to a point where every single story is about the same thing. This was my complaint with Pyun Hye-young's Evening Proposal too.

One day, a hole started opening up on the floor of her apartment — a hole caused by her neighbor, who claimed that she unintentionally did so with the power of her stare. This story is a tale of two isolated, lonely misfits, relying on each other for a semblance of companionship. Lim loves to write about alienated people coming together as friends, which at this point, feels a bit too redundant for me.

Even Though It's Not Alaska — 3.5 stars
This is a weird short story too, and this one is one of the more heartbreaking ones in the collection. An unemployed woman, who was let go from her abusive and toxic company, started training to catch and kill the dogs that killed the two stray cats that she saw herself in.

I think the ending really is just the woman realizing the reality of the relationship, that her partner has become someone she doesn't want to be with, someone who is so consumed by hatred and jealousy that he himself became spiteful. I found the ending bittersweet: she achieved independence from her ex, but also the loneliness weighs on her. Why is this collection lowkey depressing

It's also a breakup story, which now I'm like...Lim is strangely interested in writing stories of romantic relationships failing for some reason. Like most of the stories in this collection is literally either about breakups or exes. There's also a discussion on broken dreams and the deep-seated, enraging envy that overwhelms you when we see people doing what we love. I thought that was real as fuuuuuuuck.

The Hibernating Guy – 3.75 stars
An odd little story. A supporting actress for a run-down theater started running acting cons to make ends meet, when she encountered a strange task from an elderly man: to bury him in the mountains in the middle of the winter to induce his hibernation. Something Lim is good at doing is letting the subtle tensions and emotions of the characters speak for themselves.

Go Sleep at Home is successful in making distinctive and unique characters, but something about it made me feel ambivalent towards it. It could probably be because its slow-paced and has minimal plot, or maybe I just was expecting more from it. Either way, this was a decent story for me. I'm into short stories where nothing's really happening in them for some reason.

For these men, a solitary life is too sad and suffocating, and they would happily jump to lying to avoid abandonment. I found that the characters are similar to each other in certain ways, but completely different in other aspects, which is something that I think is hard to nail when writing a short story, so props to Lim for creating distinct characters even with the rather dull narration.

It's a strangely wholesome portrait of lonely men, men who are dealing with the grief of separation and abandonment, chasing connection in other people. The pain of loneliness, explored through the short, subtle, and kind of random snippets scattered throughout the story, was a kind of vulnerability that paralyzes, that causes you to be stationary.

Go Sleep at Home – 3.5 stars
This one's a pretty interesting one. A full-time apartment security guard got roped into helping his ex find his pet lizard, which ran away in the middle of the night. While attempting to find it, they ended up in an unlikely friendship with a tenant who claimed to have seen the lizard in his room.

But yes to gay, I love how so many contemporary Korean novels incorporate LGBTQ+ characters in a way that isn't trying to garner diversity points. I like how so many of them are queernormative nowadays without necessarily making a huge deal out of it (e.g. Counterweight by Djuna, most Hwang Jungeun's books). I'd love seeing queer characters living their lives without having the story focusing on their queerness

I like how smooth the story revealed that Jo and "I" are a couple, and how it reveals the gender of "I". I don't know if the author purposefully made it vague though, would love to ask them about this stylistic choice if I ever had the chance to ask.

GAY COUPLE ALERT. They're exes but whatever. At first I thought that the "I" was a woman (simply by default), but then I was like...wait. I sense that the narrator was a man. Like pure instinct, and maybe some (slightly discriminatory) guesses about the narrative and story choices based on gender roles, and also the way the characters communicated. But it was confirmed and I'm literally happy as hell hehe