Sarah, ' I was then what I hadn't seen before, that I was very good at despising slavery in the abstract, in the removed an d anonymous masses, but in the concrete, intimate flesh of the girl beside me, I'd grown comfortable with the particulars of evil. There's a frightful muteness that dwells at the center of all unspeakable things, and I had found my way into it.'
— May 01, 2015 09:07AM
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