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Jonathan O'Neill
Jonathan O'Neill is on page 72 of 530 of Schubert's Winter Journey: Anatomy of an Obsession
Saw Winterreise performed tonight at Melbourne Recital Centre by the British tenor, Allan Clayton, and Australian pianist, Kate Golla. I really don't think it could've been performed any better. Clayton was right in the zone conveying the emotion of the piece and Golla's accompaniment brought out the nuances between vocalist and Pianist very clearly. I only wish i'd read a bit more of this beforehand!
Feb 16, 2026 02:51AM Add a comment
Schubert's Winter Journey: Anatomy of an Obsession

Jonathan O'Neill
Jonathan O'Neill is on page 75 of 227 of A Soldier's Quartet
"Never have I heard of this place called Gallipoli... A place where young men must kill or die for king and country. But Gallipoli is now a name I shall never forget."
Feb 02, 2026 04:00PM Add a comment
A Soldier's Quartet

Jonathan O'Neill
Jonathan O'Neill is 82% done with Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time
I do not believe that a single composition of Wagner will survive him.

- Moritz Hauptmann
Jan 26, 2026 08:28PM 3 comments
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time

Jonathan O'Neill
Jonathan O'Neill is 73% done with Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time
The Rite of Spring

Who wrote this fiendish Rite of Spring,
What right had he to write the thing,
Against our helpless ears to fling
It's crash, clash, cling, clang, bing, bang, bing?

And then to call it Rite of Spring,
The season when on joyous wing
The birds melodious carols sing
And harmony's in everything!

He who could write the Rite of Spring,
If I be right, by right should swing!
Jan 25, 2026 09:53PM 1 comment
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time

Jonathan O'Neill
Jonathan O'Neill is on page 196 of 336 of Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time
It is not every family which has double fugues for breakfast, but this Strauss family is a peculiar one. If sinfonia domestica were a true autobiographical sketch, we fancy that the wife would be portrayed on trombones and tubas while the husband would be pictured on the second violin.

Wow! Try saying that about Will Smith's wife, buddy! 😬
Jan 25, 2026 03:54AM 3 comments
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time

Jonathan O'Neill
Jonathan O'Neill is on page 168 of 336 of Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time
20 pages of Schoenberg related invective feels like an awfully toxic thing to read before bed but, alas, that's what I've done. With regard to dedicated pages he gets over the line, by a tight margin, against the likes of Debussy and Strauss and is "defeated" only by the man we all love to hate, Herr Richard Wagner!
Jan 20, 2026 03:59AM 4 comments
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time

Jonathan O'Neill
Jonathan O'Neill is on page 40 of 530 of Schubert's Winter Journey: Anatomy of an Obsession
While noting that the mystery created by narrative loose ends is part of what offers this song cycle its power, Bostridge suggests, with plausible reasoning, that we could imagine, for 1.Gute Nacht, a scenario like the one in Rousseau's La Nouvelle Héloïse in which emotional complications ensue due to a young house tutor, of lower economic status, becoming entangled with a virtuous young woman of status
Jan 19, 2026 01:56AM 1 comment
Schubert's Winter Journey: Anatomy of an Obsession

Jonathan O'Neill
Jonathan O'Neill is 4% done with Schubert's Winter Journey: Anatomy of an Obsession
... Lieder is a niche product, even within the niche that is classical music; but 'Winter's Journey' is incontestably a great work of art which should be as much a part of our common experience as the poetry of Shakespeare and Dante, the paintings of Van Gogh and Pablo Picasso, the novels of the Brontë sisters or Marcel Proust.
Jan 18, 2026 03:28AM 2 comments
Schubert's Winter Journey: Anatomy of an Obsession

Jonathan O'Neill
Jonathan O'Neill is on page 137 of 336 of Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time
[Rachmaninoff] writes pieces full of the old astounding musical dislocation...
There was a day, perhaps, when such work served. But another day has succeeded to it. And so, Rachmaninoff comes amongst us like a very charming and amiable ghost.

- Paul Rosenfield on the 2nd piano concerto

You can't win with these critics. You're either too ahead of your time or you're a dusty old fossil. No in-between.
Jan 17, 2026 02:07PM Add a comment
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time

Jonathan O'Neill
Jonathan O'Neill is on page 60 of 376 of El Eternauta
Liking the graphic novel medium for language learning. The extra visual context is helpful and this one's pretty text heavy so it's perfect.
Jan 14, 2026 03:31AM Add a comment
El Eternauta

Jonathan O'Neill
Jonathan O'Neill is 92% done with Mendelssohn: A Life in Music
"...may you taste only the sweets and none of the bitterness of authorship... may the public pelt you with roses, and never with sand; and may the printer's ink never draw black lines upon your soul"
- Felix to Fanny

Finally, after he had discouraged her from publishing throughout their entire lives, Fanny went and did it anyway and asking one last time for his blessing, Felix comes around.
Jan 06, 2026 04:09AM 5 comments
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is 87% done with Mendelssohn: A Life in Music
[Felix] has a glorious dark eye, and Byron's expression of a 'dome of thought' could never be more appropriately applied than to his lofty and intellectual forehead...
...Dark, lustrous, unfathomable eyes... They were black, but without the usual opaqueness of black eyes, shining, not with a surface light, but with a pure, serene, planetary flame.

- J.Bayard Taylor
Jan 04, 2026 04:50AM Add a comment
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is 78% done with Mendelssohn: A Life in Music
[Wagner played] the seductive Venusberg theme from Tannhauser, on which he was then at work. When Felix asked, "What is that?" Wagner replied, "Do you think I am going to reveal it to you?" whereupon Felix at once reproduced it himself at the piano.
Jan 01, 2026 07:39PM Add a comment
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is 74% done with Mendelssohn: A Life in Music
I'm thankful that, while this is very much a Felix bio, the author gives Fanny a notable amount of page time as well, following her progress as a composer and illuminating derivatives between her and her brother's works where applicable.
Her 'Das Jahr' is well worth your time. A cycle of piano character pieces on the 12 months. Some beauties in there, for sure!
Dec 30, 2025 04:50AM Add a comment
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is on page 395 of 736 of Mendelssohn: A Life in Music
Proud to announce that Felix was my Top Artist on Spotify this year with 15217 minutes listened! :D
I'm not sure that tops my Beethoven listening from several years ago but it still puts me in the top 0.001% of global fans.... Let's be honest, no one on Earth listened to more Mendelssohn than me this year! :D
Dec 03, 2025 07:15PM 7 comments
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is on page 25 of 193 of Beethoven: La música del silencio (Spanish Edition)
Kant definía la Ilustración como el escape de la humanidad de su autoinfligida inmadurez; y definía la inmadurez como la inhabilidad de hacer uso del propio entendimiento sin la guía de otro.

An 11-yr-old Ludwig was read Kant by his mother and I think he took this particular message (¡Ten el coraje de usar tu propio entendimiento!) and ran with it!
Nov 04, 2025 01:43PM Add a comment
Beethoven: La música del silencio (Spanish Edition)

Jonathan O'Neill
Jonathan O'Neill is on page 394 of 736 of Mendelssohn: A Life in Music
At one musical matinée given by Felix, Liszt appeared in Hungarian uniform and played a series of pyrotechnical variations on a Hungarian folk melody. Then, insisting his host reciprocate, Liszt watched incredulously as Felix replicated the Hungarian melody, executed one variation after another, and managed to imitate Liszt's "movements and raptures" without offending him.

"Hold my beer."
- Mendelssohn
Oct 06, 2025 03:42AM Add a comment
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is on page 20 of 193 of Beethoven: La música del silencio (Spanish Edition)
Para que haya música, primero tiene que haber silencio. Si el silencio fuera un paño blanco, la música sería el bordado. ¿Donde íbamos a poner nuestra música si no fuera en el silencio?
Oct 06, 2025 02:36AM Add a comment
Beethoven: La música del silencio (Spanish Edition)

Jonathan O'Neill
Jonathan O'Neill is on page 372 of 736 of Mendelssohn: A Life in Music
Schumann and Mendelssohn were largely responsible for the 19th-century Schubert revival. Schumann discovered several unpublished symphonies and Felix took the decision, and the time, to resuscitate the "Great" symphony (no.9) and "effectively transformed Schubert from a respected "ballad" composer to a symphonist of stature".
Sep 23, 2025 04:24AM 1 comment
Mendelssohn: A Life in Music

Jonathan O'Neill
Jonathan O'Neill is 37% done with Bach's Musical Universe: The Composer and His Work
Just finished listening to Bach's 7 Toccatas (BWV 910-916) on harpsichord and, I must say, it really makes you appreciate 2 things.
1.The virtuosity of the harpsichordist, Pieter-Jan Belder, and
2. The invention of the piano-forte! 😁
Sep 15, 2025 08:31PM 7 comments
Bach's Musical Universe: The Composer and His Work

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