On the dissolution of the subject in Celan made possible by its forgetting in Greek Dionysian enthusiasm by way of Hölderlin's ode to Rousseau, with reference to Mallarmé and Rimbaud, to Benjamin's reading of Baudelaire, all in an unacknowledged yet inescapable Nietzschean vein. This is what I got into Comparative Literature for.
— Dec 31, 2014 11:00PM
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