Ask the Author: Bryan Furuness

“Hi. Let's try this. I'll answer a couple of questions each week. Ask away—” Bryan Furuness

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Bryan Furuness I’ll give you one that’s been on my mind lately: overestimating the amount of talent it takes to write a book, and underestimating the time and effort and sheer persistence that it takes.

(This miscalculation isn’t exclusive to the writing world, by the way. See also this article with a very explain-y title: “People Underestimate the Value of Persistence for Creative Performance*”)

Here’s a weird disconnect. If you tell people that it takes ten years of devoted work to reach mastery of a skill—not greatness, but mere mastery—they will nod and say, Right, that makes sense.

But if you tell them that means it could very well take them ten years or more to write a novel, no matter how good their idea is . . . well, you can see the despair on their face.

The thing is, you’re allowed to enjoy those ten years (or however long it takes). Actually, you better enjoy it. If you find that you don’t actually like writing all that much—if you’d rather be a person with a book than a person who writes—hit the eject button early and save yourself a ton of suffering.

*article link: https://www.brianjlucas.com/uploads/1...
Bryan Furuness I don’t have one.

Or, rather, I don’t have just one. My process depends on the type of project, the reason for writing, the time I get to work on it, and probably a thousand other factors I can’t consciously discern.

For example, my process for writing this response is different than my approach for my current novel project, which is different than my approach for my last novel project, which is different than answering a hundred emails in an hour, which is different than—

You get the idea. Each project calls for something different. I have a mental junk drawer full of strategies, and I’m always on the lookout for new strategies.

That way, if a certain combination doesn’t work, there’s always something else I can try. Flexibility is key. Flexibility and an experimental spirit.

That said, certain threads run through my creative practice, no matter what I’m writing. Daydreaming. Making notes. Showing up to the page (almost) every day, and finding ways to lower the pressure and boost the joy.

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