Bryan Furuness

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Bryan Furuness

Goodreads Author


Born
East Chicago, Indiana, The United States
Website

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Member Since
February 2008


Author of a couple of novels: THE LOST EPISODES OF REVIE BRYSON and DO NOT GO ON.

Editor of AN INDIANA CHRISTMAS and MY NAME WAS NEVER FRANKENSTEIN: AND OTHER CLASSIC ADVENTURE TALES REMIXED and co-editor (with Michael Martone) of WINESBURG, INDIANA.

Lives in Indy, teaches at Butler, believes that breakfast burritos are the perfect food.

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Popular Answered Questions

Bryan Furuness I’ll give you one that’s been on my mind lately: overestimating the amount of talent it takes to write a book, and underestimating the time and effort…moreI’ll give you one that’s been on my mind lately: overestimating the amount of talent it takes to write a book, and underestimating the time and effort and sheer persistence that it takes.

(This miscalculation isn’t exclusive to the writing world, by the way. See also this article with a very explain-y title: “People Underestimate the Value of Persistence for Creative Performance*”)

Here’s a weird disconnect. If you tell people that it takes ten years of devoted work to reach mastery of a skill—not greatness, but mere mastery—they will nod and say, Right, that makes sense.

But if you tell them that means it could very well take them ten years or more to write a novel, no matter how good their idea is . . . well, you can see the despair on their face.

The thing is, you’re allowed to enjoy those ten years (or however long it takes). Actually, you better enjoy it. If you find that you don’t actually like writing all that much—if you’d rather be a person with a book than a person who writes—hit the eject button early and save yourself a ton of suffering.

*article link: https://www.brianjlucas.com/uploads/1...(less)
Bryan Furuness I don’t have one.

Or, rather, I don’t have just one. My process depends on the type of project, the reason for writing, the time I get to work on it, …more
I don’t have one.

Or, rather, I don’t have just one. My process depends on the type of project, the reason for writing, the time I get to work on it, and probably a thousand other factors I can’t consciously discern.

For example, my process for writing this response is different than my approach for my current novel project, which is different than my approach for my last novel project, which is different than answering a hundred emails in an hour, which is different than—

You get the idea. Each project calls for something different. I have a mental junk drawer full of strategies, and I’m always on the lookout for new strategies.

That way, if a certain combination doesn’t work, there’s always something else I can try. Flexibility is key. Flexibility and an experimental spirit.

That said, certain threads run through my creative practice, no matter what I’m writing. Daydreaming. Making notes. Showing up to the page (almost) every day, and finding ways to lower the pressure and boost the joy. (less)
Average rating: 4.11 · 234 ratings · 70 reviews · 11 distinct worksSimilar authors
The Lost Episodes of Revie ...

4.29 avg rating — 55 ratings — published 2012 — 7 editions
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Do Not Go On

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Winesburg, Indiana: A Fork ...

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An Indiana Christmas

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My Name Was Never Frankenst...

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The Invisible Art of Litera...

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Being: What Makes a Man

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More books by Bryan Furuness…

Drawing the Circle: A Simple, Ancient, and Creative Way to Pray

Circle prayers come from the Celtic tradition. They are an ancient and beautiful way to seek God’s protection and blessing by creating a boundary around yourself. Within that boundary, you ask God to bring in all that you need while keeping harm and evil outside its bounds.

image credit: Keith Ewing | flickr creative commons

What I love about circle prayers is how flexible and personal they are.

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Published on November 26, 2024 16:22
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Evelyn Underhill
“As it is not by the methods of the laboratory that we learn to know life, so it is not by the methods of the intellect that we learn to know God.”
Evelyn Underhill, Practical Mysticism

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