Ask the Author: J.D. Horn
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J.D. Horn
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J.D. Horn
This answer contains spoilers…
(view spoiler)[Hello! So happy you enjoyed "Jilo." My answer to your simple and straightforward question may end up somewhat lengthy and convoluted, but here goes...
I don't know if you've discovered the other books in the Witching Savannah series, but "Jilo" is the fourth (even though it's a prequel to the earlier books.) "The Line" is the first of the series. When I started writing "The Line" back in 2011/2012, I set out to upend a few Urban Fantasy/Young Adult tropes, using them in ways that would be a sometimes winking, sometimes serious commentary on them. I think most of it worked, though my attempt to address what I saw as unhealthy romantic relationships in some YA books did not land for some people--well, for a LOT of people--in the way I'd hoped. (But it did provide me a valuable learning experience about how NOT to handle some topics and how NOT to deal with criticism for failing to meet my mark.)
Part of what I wanted to do was to start out with characters who were absolute cultural/literary stereotypes, then peel away at the way the characters were at first presented until their humanity shone through. I wanted to put them in situations that would start off seeming familiar to Urban Fantasy readers, and then lead the characters off in an unexpected direction.
The main character in the first three books, Mercy Taylor, starts out as an incredibly privileged and wealthy young woman who takes very little responsibility for her own life. She's smart, she's sweet, she's well-meaning, but still at nearly 21, she relies on her family to meet all of her needs. She even lets her aunts pick out what she wears, acting like she's a kind of human doll for them to dress. She allows herself to be a supporting character in her own life. Her aunt Ellen is a gracious dypsomaniac magnolia refugee from a scrapped Tennessee Williams play. Her uncle Oliver appears to be a leering, predatory gay. Her other aunt, Iris, a secretly abused housewife whose main concern is how she and the family appear to the rest of polite society. I even gave Mercy a twin sister, though I stopped myself at fraternal rather than identical.
I'd planned to introduce a young African-American man, Martell Burke, as Mercy's foil. He'd challenge her in ways that would shake her out of her comfortable world. He, too, though, would start off very much as a stereotype, an urban kid who'd gotten into trouble in Detroit, and who'd been shipped to family in Savannah until he'd cleaned up his act.
I took a trip to Savannah to do a bit more research, and went on a ghost tour where they discussed Hoodoo. I read about Hoodoo in the past, but hadn't intended on including it--certainly not to the degree I ended up doing. The tour gave me the idea, though, of adding that Martell's grandmother was a Hoodoo worker. That was it. She was supposed to be mentioned on a page, Ellen was supposed to shudder at her name, and then on we'd go. But no.
I wrote and rewrote and rewrote and rewrote the first 150 or so pages, and then rewrote them again. The story would not gel. I found the name for Martell's grandmother--Jilo Wills. (She ended up being Martell's great-grandmother.) The second this woman had a name, she started talking to me. She said that she knew what happened next, and she'd tell me if I'd listen. I decided I either needed to look into medication or to start typing. I started typing.
Jilo was willing to show herself as a stereotypical old conjure woman, though she told me from the start that she was well-educated. That she'd wanted to be a medical doctor, but that had never happened for her. That she used the way people expected her to appear and behave in order to get what she wanted from them.
Mercy and I both fell madly in love and wanted to spend all our time with Jilo. We came to rely on Jilo far too heavily. If Mercy got into trouble, she ran to Jilo. If I wasn't sure what the next chapter should be, I'd run to Jilo. Jilo both figuratively and literally causes Martell to disappear from the first book.
Jilo wrote the first two books of the series.
After the third in the series, my publisher came to me and said they'd like another Witching Savannah book. Mercy's story had its conclusion--at least I thought so at the time. (In time I plan to do one more Mercy book that will explain the origin of the Beekeeper and how she links Jilo to Mercy.)
I thought about which character I wanted most to spend more time with, and there was no question that character was Jilo. So I pitched a prequel starring Jilo. They accepted, and I sat down to write. For the first time it really viscerally hit me that my dear Jilo would have grown up in Jim Crow Savannah. Then I promptly had a nervous breakdown realizing what I'd had the outrageous ego to think I could do.
It was audacious enough of me to attempt to write from the perspective of a contemporary young white woman. But here I was, a middle-aged white Southern dude, who thought he could begin to address what it could have been like for an African-American girl/young woman in that period and in that place.
I went back to Savannah to try to learn more. I found 3,986,254.7 books about Savannah between 1850-1865, but basically 0 about Savannah's history between 1950-1965. Someone at the Ralph Mark Gilbert Civil Rights museum recommended I visit the First African Baptist. I did, and found a wonderful collection of newspaper articles compiled into a single book at the church. This collection became my bible.
Jilo and her family would be part of the Gullah-Geechee culture. I was so blessed that Queen Quet herself responded to my (rather pathetic) plea for guidance. She helped with advice about how to write about the culture, and how do so without stealing from it. I've gotten to meet her in person since, and she is such an amazing, wonderful, and generous person.
So, I apologize for my lack of brevity, and I hope I haven't given you far more information than you were looking for. It's only that the Taylor, Wills, and Poole families all feel like my children to me. :) (hide spoiler)]
I don't know if you've discovered the other books in the Witching Savannah series, but "Jilo" is the fourth (even though it's a prequel to the earlier books.) "The Line" is the first of the series. When I started writing "The Line" back in 2011/2012, I set out to upend a few Urban Fantasy/Young Adult tropes, using them in ways that would be a sometimes winking, sometimes serious commentary on them. I think most of it worked, though my attempt to address what I saw as unhealthy romantic relationships in some YA books did not land for some people--well, for a LOT of people--in the way I'd hoped. (But it did provide me a valuable learning experience about how NOT to handle some topics and how NOT to deal with criticism for failing to meet my mark.)
Part of what I wanted to do was to start out with characters who were absolute cultural/literary stereotypes, then peel away at the way the characters were at first presented until their humanity shone through. I wanted to put them in situations that would start off seeming familiar to Urban Fantasy readers, and then lead the characters off in an unexpected direction.
The main character in the first three books, Mercy Taylor, starts out as an incredibly privileged and wealthy young woman who takes very little responsibility for her own life. She's smart, she's sweet, she's well-meaning, but still at nearly 21, she relies on her family to meet all of her needs. She even lets her aunts pick out what she wears, acting like she's a kind of human doll for them to dress. She allows herself to be a supporting character in her own life. Her aunt Ellen is a gracious dypsomaniac magnolia refugee from a scrapped Tennessee Williams play. Her uncle Oliver appears to be a leering, predatory gay. Her other aunt, Iris, a secretly abused housewife whose main concern is how she and the family appear to the rest of polite society. I even gave Mercy a twin sister, though I stopped myself at fraternal rather than identical.
I'd planned to introduce a young African-American man, Martell Burke, as Mercy's foil. He'd challenge her in ways that would shake her out of her comfortable world. He, too, though, would start off very much as a stereotype, an urban kid who'd gotten into trouble in Detroit, and who'd been shipped to family in Savannah until he'd cleaned up his act.
I took a trip to Savannah to do a bit more research, and went on a ghost tour where they discussed Hoodoo. I read about Hoodoo in the past, but hadn't intended on including it--certainly not to the degree I ended up doing. The tour gave me the idea, though, of adding that Martell's grandmother was a Hoodoo worker. That was it. She was supposed to be mentioned on a page, Ellen was supposed to shudder at her name, and then on we'd go. But no.
I wrote and rewrote and rewrote and rewrote the first 150 or so pages, and then rewrote them again. The story would not gel. I found the name for Martell's grandmother--Jilo Wills. (She ended up being Martell's great-grandmother.) The second this woman had a name, she started talking to me. She said that she knew what happened next, and she'd tell me if I'd listen. I decided I either needed to look into medication or to start typing. I started typing.
Jilo was willing to show herself as a stereotypical old conjure woman, though she told me from the start that she was well-educated. That she'd wanted to be a medical doctor, but that had never happened for her. That she used the way people expected her to appear and behave in order to get what she wanted from them.
Mercy and I both fell madly in love and wanted to spend all our time with Jilo. We came to rely on Jilo far too heavily. If Mercy got into trouble, she ran to Jilo. If I wasn't sure what the next chapter should be, I'd run to Jilo. Jilo both figuratively and literally causes Martell to disappear from the first book.
Jilo wrote the first two books of the series.
After the third in the series, my publisher came to me and said they'd like another Witching Savannah book. Mercy's story had its conclusion--at least I thought so at the time. (In time I plan to do one more Mercy book that will explain the origin of the Beekeeper and how she links Jilo to Mercy.)
I thought about which character I wanted most to spend more time with, and there was no question that character was Jilo. So I pitched a prequel starring Jilo. They accepted, and I sat down to write. For the first time it really viscerally hit me that my dear Jilo would have grown up in Jim Crow Savannah. Then I promptly had a nervous breakdown realizing what I'd had the outrageous ego to think I could do.
It was audacious enough of me to attempt to write from the perspective of a contemporary young white woman. But here I was, a middle-aged white Southern dude, who thought he could begin to address what it could have been like for an African-American girl/young woman in that period and in that place.
I went back to Savannah to try to learn more. I found 3,986,254.7 books about Savannah between 1850-1865, but basically 0 about Savannah's history between 1950-1965. Someone at the Ralph Mark Gilbert Civil Rights museum recommended I visit the First African Baptist. I did, and found a wonderful collection of newspaper articles compiled into a single book at the church. This collection became my bible.
Jilo and her family would be part of the Gullah-Geechee culture. I was so blessed that Queen Quet herself responded to my (rather pathetic) plea for guidance. She helped with advice about how to write about the culture, and how do so without stealing from it. I've gotten to meet her in person since, and she is such an amazing, wonderful, and generous person.
So, I apologize for my lack of brevity, and I hope I haven't given you far more information than you were looking for. It's only that the Taylor, Wills, and Poole families all feel like my children to me. :) (hide spoiler)]
J.D. Horn
Hey, Carrie! Jee-low is the pronunciation. I really miss writing this character. Hopefully someday, I'll be able to do a follow-up to her prequel, that would take her from the end of her book up to the beginning of The Line.
J.D. Horn
You must have ESP! I'm working with my editor on revisions on the first book right now. I just sent back the first round of changes yesterday. We'll have one or two more rounds of developmental edits, then it's off to the copy editor.
The first book (final title "The King of Bones and Ashes") centers on three POV characters, Alice Marin, a young woman who returns to New Orleans after having been spent half her life in an asylum for witches with psychiatric disorders, Evangeline Caissy, solitary witch, former exotic dancer with socialist leanings, and owner of a Bourbon Street night club, and Lisette Perrault, owner of Veve, a Voodoo supply shop, and former priestess who's lost her faith. So, as you can probably guess, this one is gonna be quite the ride.
The first book (final title "The King of Bones and Ashes") centers on three POV characters, Alice Marin, a young woman who returns to New Orleans after having been spent half her life in an asylum for witches with psychiatric disorders, Evangeline Caissy, solitary witch, former exotic dancer with socialist leanings, and owner of a Bourbon Street night club, and Lisette Perrault, owner of Veve, a Voodoo supply shop, and former priestess who's lost her faith. So, as you can probably guess, this one is gonna be quite the ride.
J.D. Horn
Thank you so much! I'm so happy you enjoyed Jilo.
I have a couple of new projects vying for my attention right now, one a new paranormal series set in New Orleans, and the other a non-paranormal mystery series set in Portland, Oregon. Trying to get the details on both hammered out.
Never say never, though, I love the Taylors, Wills, and Pooles. If the right story comes along, and my publisher is open to a follow-up, I'd love to revisit Witching Savannah in the future.
I have a couple of new projects vying for my attention right now, one a new paranormal series set in New Orleans, and the other a non-paranormal mystery series set in Portland, Oregon. Trying to get the details on both hammered out.
Never say never, though, I love the Taylors, Wills, and Pooles. If the right story comes along, and my publisher is open to a follow-up, I'd love to revisit Witching Savannah in the future.
J.D. Horn
Thank you! In JILO (coming in April), I have two lead female characters, Jilo, of course, and her grandmother May. I hope you'll enjoy meeting May, as well as Jilo's younger self. I'm also really happy with the two sympathetic male point of view characters, Jesse and Tinker. Fingers crossed they'll prove worthy counterparts to the women.
This question contains spoilers...
(view spoiler)[In The Void, Oliver destroys a picture, placing the "[s]hards of bloodied glass" in the trash can. However, in The Line, much was made of the fact that Oliver completely demolished and burned the kitchen table on which he had been tortured: "My blood has soaked into it, and unless it's burned, someone could use it to control me or steal my power." How do you explain this inconsistency? (hide spoiler)]
J.D. Horn
Hey! Oliver is at the point where he no longer cares. The Void shows the characters who have held it together so far being broken down--and amusingly enough, Ellen pulling it back together.
For the first time in Oliver's life he realizes he is not in control. He's just learned his whole family life has been built on a lie. His father was a horrible person, his mother is in Gehenna, and that is on top of the fact that his big sis is trying to bring about the end of the world. :)
You gotta admit, though, the whole Picture of Dorian Gray nod was a fun red herring, no?
For the first time in Oliver's life he realizes he is not in control. He's just learned his whole family life has been built on a lie. His father was a horrible person, his mother is in Gehenna, and that is on top of the fact that his big sis is trying to bring about the end of the world. :)
You gotta admit, though, the whole Picture of Dorian Gray nod was a fun red herring, no?
J.D. Horn
Hey! Thanks for the question.
The "Hunting Beach" of the book is indeed the beach on Hunting Island. I went with "Hunting Beach" rather than "Hunting Island Beach" as the locals who introduced it to me called it that.(I do a similar thing when talking about Colonial Park Cemetery as Colonial Cemetery. Had a tussle with a copy editor over that one, and ended up using both versions at different points as a compromise.) :)
The beach at Hunting Island is such a beautiful and unspoiled stretch that I fell in love with it at first sight. I'm afraid it bumped Tybee and its lighthouse from their place in the book.
The World Horror Convention is going to be in Atlanta in 2015. If you decided to attend, please hunt me down there and say hello!
The "Hunting Beach" of the book is indeed the beach on Hunting Island. I went with "Hunting Beach" rather than "Hunting Island Beach" as the locals who introduced it to me called it that.(I do a similar thing when talking about Colonial Park Cemetery as Colonial Cemetery. Had a tussle with a copy editor over that one, and ended up using both versions at different points as a compromise.) :)
The beach at Hunting Island is such a beautiful and unspoiled stretch that I fell in love with it at first sight. I'm afraid it bumped Tybee and its lighthouse from their place in the book.
The World Horror Convention is going to be in Atlanta in 2015. If you decided to attend, please hunt me down there and say hello!
J.D. Horn
Hey, Alysa!
Very good question (he says while wiping a bead of nervous sweat from his brow).
The real answer is I don't know for sure. I'm working right now on a Witching Savannah prequel about Jilo. I feel she deserves to have her story told. JILO (A Witching Savannah Prequel) is scheduled to come out November 2015.
I've written a few drafts of another book, SHIVAREE. It is Southern Gothic Horror, and everyone who has read it likes it...except me. I have such a love/hate relationship with this story. I cannot bring myself to walk away from it, but it is way too dark for my tastes. Much darker than the Witching Savannah series. (Pretty odd to write a book you hate, huh?)
I've got another book, THE ESSENCE OF THINGS HOPED FOR, that I will probably self publish late next spring under my full name (Jack Douglas Horn) to show it is mine, but very different from my other stories. It is a little too odd for publishers to take on--virtually every publisher in the whole wide world has turned it down--but I love it and want to get it out to readers. :)
Very good question (he says while wiping a bead of nervous sweat from his brow).
The real answer is I don't know for sure. I'm working right now on a Witching Savannah prequel about Jilo. I feel she deserves to have her story told. JILO (A Witching Savannah Prequel) is scheduled to come out November 2015.
I've written a few drafts of another book, SHIVAREE. It is Southern Gothic Horror, and everyone who has read it likes it...except me. I have such a love/hate relationship with this story. I cannot bring myself to walk away from it, but it is way too dark for my tastes. Much darker than the Witching Savannah series. (Pretty odd to write a book you hate, huh?)
I've got another book, THE ESSENCE OF THINGS HOPED FOR, that I will probably self publish late next spring under my full name (Jack Douglas Horn) to show it is mine, but very different from my other stories. It is a little too odd for publishers to take on--virtually every publisher in the whole wide world has turned it down--but I love it and want to get it out to readers. :)
J.D. Horn
Hey, Justin -
So far I am scheduled to appear at two conventions next year-
ConDFW
Dallas, TX
February 13-15, 2015
http://www.condfw.org/
Saints & Sinners
New Orleans, LA
March 27-29, 2015
http://sasfest.org/category/speakers-...
As more dates come up, I'll post them here: http://www.witchingsavannah.com/news.....
I'm a very small fish in an enormous sea of writers, so honestly it is difficult (nearly impossible) to get venues for signings. I would love to go around and meet readers, but haven't found a way outside of conventions where I can get an in. :)
So far I am scheduled to appear at two conventions next year-
ConDFW
Dallas, TX
February 13-15, 2015
http://www.condfw.org/
Saints & Sinners
New Orleans, LA
March 27-29, 2015
http://sasfest.org/category/speakers-...
As more dates come up, I'll post them here: http://www.witchingsavannah.com/news.....
I'm a very small fish in an enormous sea of writers, so honestly it is difficult (nearly impossible) to get venues for signings. I would love to go around and meet readers, but haven't found a way outside of conventions where I can get an in. :)
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