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Art After Conceptual Art
by
3.82 avg rating — 38 ratings
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published
2006
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4 editions
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Hélio Oiticica and Neville D'Almeida: Block-Experiments in Cosmococa - Program in Progress
by
3.71 avg rating — 7 ratings
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published
2012
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12 editions
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Valie Export: Time and Countertime
by
really liked it 4.00 avg rating — 5 ratings
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published
2011
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Judith Hopf: Up
by
it was amazing 5.00 avg rating — 2 ratings
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Luis Camnitzer
by
4.50 avg rating — 2 ratings
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published
2010
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2 editions
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Putting Rehearsals to the Test: Practices of Rehearsal in Fine Arts, Film, Theater, Theory, and Politics (Publication Series of the Academy of Fine Arts Vienna, 19)
by
2.67 avg rating — 3 ratings
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Denken gegen das Denken: Produktion, Technologie, Subjektivität bei Sol LeWitt, Yvonne Rainer und Helio Oiticia
by
really liked it 4.00 avg rating — 1 rating
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Modernism As A Ruin: An Archaeology of the Present
by
liked it 3.00 avg rating — 1 rating
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published
2010
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Deculturalize
by
liked it 3.00 avg rating — 1 rating
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Hilary Lloyd
by
did not like it 1.00 avg rating — 1 rating
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published
2013
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Katharina Sieverding: Close-Ups
by
0.00 avg rating — 0 ratings
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published
2005
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2 editions
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Cristóbal Lehyt: Drama Projection
by
0.00 avg rating — 0 ratings
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published
2010
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2 editions
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To Expose, To Show, To Demonstrate, To Inform, To Offer: Artistic Practices Around 1990
by
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The Aspen Complex
by
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art works: Ästhetik des Postfordismus
by
0.00 avg rating — 0 ratings
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Katinka Bock
by
0.00 avg rating — 0 ratings
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A Book about Collecting and Exhibiting Conceptual Art after Conceptual Art
by
0.00 avg rating — 0 ratings
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Ree Morton: Generali Foundation, Vienna.: An article from: Artforum International
by
0.00 avg rating — 0 ratings
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Hélio Oiticica and Neville D'Almeida: Block-Experiments in Cosmococa - Program in Progress
by
0.00 avg rating — 0 ratings
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Une anthologie de la revue Texte zur Kunst de 1990 à 1998
by
0.00 avg rating — 0 ratings
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published
2011
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The Everywhere Studio
by
0.00 avg rating — 0 ratings
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Abstractions as an Open Experiment
by
0.00 avg rating — 0 ratings
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OnCurating Issue 46: Contemporary Art Biennials – Our Hegemonic Machines in Times of Emergency
by
0.00 avg rating — 0 ratings
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An Elaborate Gesture of Pastness: Three Films by Dani Gal
by
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Manfred Pernice: Que-Sah
by
0.00 avg rating — 0 ratings
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published
2011
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Lene Berg
by
0.00 avg rating — 0 ratings
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