Hakim Bey > Quotes

“Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“Poetic Terrorism
WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ...
Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.
Go naked for a sign.
Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.
Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement...
The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails.
PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now.
An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE.
Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you.
Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“Don't just survive while waiting for someone's revolution to clear your head.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“i am awake only in what i love & desire to the point of terror -- everything else is just shrouded furniture, quotidian anaesthesia, shit-for-brains, sub-reptilian ennui of totalitarian regimes, banal censorship & useless pain ...”
― hakim bey

“Words belong to those who use them only till someone else steals them back.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“Chaos comes before all principles of order & entropy, it's neither a god nor a maggot, its idiotic desires encompass & define every possible choreography, all meaningless aethers & phlogistons: its masks are crystallizations of its own facelessness, like clouds. ”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“Turn to yourselves rather than to your Gods or to your idols. Find what hides in yourselves; bring it to the light; show yourselves!”
― Hakim Bey

“The Law waits for you to stumble on a mode of being, a soul different from the FDA-approved purple-stamped standard dead meat — & as soon as you begin to act in harmony with nature the Law garottes & strangles you — so don’t play the blessed liberal middleclass martyr — accept the fact that you’re a criminal & be prepared to act like one.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism

“Where our knowledge of beauty harmonizes with the ludus naturae, sorcery begins.

No, not spoon-bending or horoscopy, not the Golden Dawn or make-believe shamanism, astral projection or the Satanic Mass--if it's mumbo jumbo you want go for the real stuff, banking, politics, social science--not that weak blavatskian crap.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“Only the dead are truly smart, truly cool. Nothing touches them. While I live, however, I side with bumbling suffering crooked life, with anger rather than boredom, with sweet lust, hunger & carelessness...against the icy avant-guard & its fashionable premonitions of the sepulcher. ”
― Hakim Bey

“I maintain that (as usual) many sides exist to this issue rather than only two. Two-sided issues (creationism vs darwinism, "choice" vs "pro-life," etc.) are all without exception delusions, spectacular lies.”
― Hakim Bey

“If rulers refuse to consider poems as crimes, then someone must commit crimes that serve the function of poetry, or texts that possess the resonance of terrorism. ”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“The sage does not become trapped in semantics, does not mistake map for territory, but rather "opens things up to the light of Heaven" by flowing with the words, by playing with the words. Once attuned to this flow, the sage need make no special effort to "illumine," for language does it by itself, spontaneously. Language spills over.”
― Hakim Bey

“Anyone who can read history with both hemispheres of the brain knows that a world comes to an end every instant--the waves of time leave washed up behind themselves only dry memories of a closed & petrified past--imperfect memory, itself already dying & autumnal. And every instant also gives birth to a world--despite the cavillings of philosophers & scientists whose bodies have grown numb--a present in which all impossibilities are renewed, where regret & premonition fade to nothing in one presential hologrammatical psychomantric gesture. ”
― Hakim Bey

“The sorcerer is a Simple Realist: the world is real--but then so must consciousness be real since its effects are so tangible.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“Let us admit that we have attended parties where for one brief night a republic of gratified desires was attained. Shall we not confess that the politics of that night have more reality and force for us than those of, say, the entire U.S. Government? Some of the "parties" we've mentioned lasted for two or three years. Is this something worth imagining, worth fighting for? Let us study invisibility, webworking, psychic nomadism--and who knows what we might attain?”
― Hakim Bey

“Now the End of the World is an abstraction because it has never happened. It has no existence in the real world. It will cease to be an abstraction only when it happens--if it happens. (I do not claim to know "God's mind" on the subject- -nor to possess any scientific knowledge about a still non- existent future). I see only a mental image & its emotional ramifications; as such I identify it as a kind of ghostly virus, a spook-sickness in myself which ought to be expunged rather than hypochondriacally coddled & indulged. I have come to despise the "End of the World" as an ideological icon held over my head by religion, state, & cultural milieu alike, as a reason for doing nothing.”
― Hakim Bey

“IN PERSIA I SAW that poetry is meant to be set to music & chanted or sung--for one reason alone--because it works.

A right combination of image & tune plunges the audience into a hal (something between emotional/aesthetic mood & trance of hyperawareness), outbursts of weeping, fits of dancing--measurable physical response to art. For us the link between poetry & body died with the bardic era--we read under the influence of a cartesian anaesthetic gas. ”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“I was beginning to feel that there would never be another American uprising, that the energy was gone, and I have some reasons to think that might be true. I like to point out that the crime rate in America has been declining for a long time, and in my opinion it’s because Americans don’t even have enough gumption to commit crimes anymore: the creative aspect of crime has fallen into decay. As for the uprising that takes a principled stand against violence, hats off to them, I admire the idealism, but I don’t think it’s going to accomplish much.”
― Hakim Bey (Peter Lamborn Wilson)

“Natives” of course are always immoral, but racial renegades and drop-outs must be downright polymorphous-perverse. The Buccaneers were buggers, the Maroons and Mountain Men were miscegenists, the “Jukes and Kallikaks” indulged in fornication and incest (leading to mutations such as polydactyly), the children ran around naked and masturbated openly, etc., etc. Reverting to a “state of Nature” paradoxically seems to allow for the practice of every “unnatural” act; or so it would appear if we believe the Puritans and Eugenicists. And since many people in repressed moralistic racist societies secretly desire exactly these licentious acts, they project them outwards onto the marginalized, and thereby convince themselves that they themselves remain civilized and pure. And in fact some marginalized communities do really reject consensus morality — the pirates certainly did! — and no doubt actually act out some of civilization’s repressed desires. (Wouldn’t you?) Becoming “wild” is always an erotic act, an act of nakedness.”
― Hakim Bey, TAZ: The Temporary Autonomous Zone

“everything in nature is perfectly real including consciousness, there is absolutely nothing to worry about.”
― Hakim Bey, TAZ: Temporary Autonomous Zone