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Start by following Alain de Botton.
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“Most of what makes a book 'good' is that we are reading it at the right moment for us.”
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“Intimacy is the capacity to be rather weird with someone - and finding that that's ok with them.”
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“The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.”
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“One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy.”
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“Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.”
― On Love
― On Love
“Every fall into love involves the triumph of hope over self-knowledge. We fall in love hoping we won't find in another what we know is in ourselves, all the cowardice, weakness, laziness, dishonesty, compromise, and stupidity. We throw a cordon of love around the chosen one and decide that everything within it will somehow be free of our faults. We locate inside another a perfection that eludes us within ourselves, and through our union with the beloved hope to maintain (against the evidence of all self-knowledge) a precarious faith in our species.”
― On Love
― On Love
“One of the best protections against disappointment is to have a lot going on.”
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“There is no such thing as work-life balance. Everything worth fighting for unbalances your life.”
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“Anyone who isn't embarrassed of who they were last year probably isn't learning enough.”
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“To one's enemies: "I hate myself more than you ever could.”
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“We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.”
― On Love
― On Love
“It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.”
― The Architecture of Happiness
― The Architecture of Happiness
“We fall in love because we long to escape from ourselves with someone as beautiful, intelligent, and witty as we are ugly, stupid, and dull. But what if such a perfect being should one day turn around and decide they will love us back? We can only be somewhat shocked-how can they be as wonderful as we had hoped when they have the bad taste to approve of someone like us?”
― On Love
― On Love
“Not being understood may be taken as a sign that there is much in one to understand.”
― Status Anxiety
― Status Anxiety
“It was no longer her absence that wounded me, but my growing indifference to it. Forgetting, however calming, was also a reminder of infidelity to what I had at one time held so dear.”
― On Love
― On Love
“To be loved by someone is to realize how much they share the same needs that lie at the heart of our own attraction to them. Albert Camus suggested that we fall in love with people because, from the outside, they look so whole, physically whole and emotionally 'together' - when subjectively we feel dispersed and confused. We would not love if there were no lack within us, but we are offended by the discovery of a similar lack in the other. Expecting to find the answer, we find only the duplicate of our own problem.”
― On Love
― On Love
“That said, deciding to avoid other people does not necessarily equate with having no desire whatsoever for company; it may simply reflect a dissatisfaction with what—or who—is available. Cynics are, in the end, only idealists with awkwardly high standards. In Chamfort's words, 'It is sometimes said of a man who lives alone that he does not like society. This is like saying of a man that he does not like going for walks because he is not fond of walking at night in the forêt de Bondy.”
― Status Anxiety
― Status Anxiety
“The largest part of what we call 'personality' is determined by how we've opted to defend ourselves against anxiety and sadness".”
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“People only get really interesting when they start to rattle the bars of their cages.”
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“The more familiar two people become, the more the language they speak together departs from that of the ordinary, dictionary-defined discourse. Familiarity creates a new language, an in-house language of intimacy that carries reference to the story the two lovers are weaving together and that cannot be readily understood by others.”
― On Love
― On Love
“You normally have to be bashed about a bit by life to see the point of daffodils, sunsets and uneventful nice days.”
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“A good half of the art of living is resilience.”
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“The difference between hope and despair is a different way of telling stories from the same facts.”
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“Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.”
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“Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do.
At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.
If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.”
― The Art of Travel
At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.
If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.”
― The Art of Travel
“What we seek, at the deepest level, is inwardly to resemble, rather than physically to possess, the objects and places that touch us through their beauty.”
― The Architecture of Happiness
― The Architecture of Happiness
“It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.”
― The Architecture of Happiness
― The Architecture of Happiness
“...love is a skill, not just an enthusiasm.”
― The Course of Love
― The Course of Love
“We don't really learn anything properly until there is a problem, until we are in pain, until something fails to go as we had hoped ... We suffer, therefore we think.”
― How Proust Can Change Your Life
― How Proust Can Change Your Life
“It seemed an advantage to be traveling alone. Our responses to the world are crucially moulded by the company we keep, for we temper our curiosity to fit in with the expectations of others...Being closely observed by a companion can also inhibit our observation of others; then, too, we may become caught up in adjusting ourselves to the companion's questions and remarks, or feel the need to make ourselves seem more normal than is good for our curiosity.”
― The Art of Travel
― The Art of Travel






