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“For me there is something primitively soothing about this music, and it went straight to my nervous system, making me feel ten feet tall.”
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“I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin' Wolf, and Little Walter. In some way, in some form, my God was always there, but now I have learned to talk to him.”
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“Like a fool, I fell in love with you,
Turned my whole world upside down
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Turned my whole world upside down
”
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“Musically, he was like an old man in a boy's skin.”
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“At first the music almost repelled me, it was so intense, and this man made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few listenings I realized that, on some level, I had found the master, and that following this man's example would be my life's work.”
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“If you hand me a guitar, I'll play the blues. That's the place I automatically go.”
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“the thing about pessimism is that in most cases it's nothing more than a front behind which a body can hide its most sweetful yet painful hopes. please forgive mine.”
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“Would you know my name
If I saw you in heaven
Will it be the same
If I saw you in heaven
I must be strong, and carry on
Cause I know I don't belong
Here in heaven
Would you hold my hand
If I saw you in heaven
Would you help me stand
If I saw you in heaven
I'll find my way, through night and day
Cause I know I just can't stay
Here in heaven”
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If I saw you in heaven
Will it be the same
If I saw you in heaven
I must be strong, and carry on
Cause I know I don't belong
Here in heaven
Would you hold my hand
If I saw you in heaven
Would you help me stand
If I saw you in heaven
I'll find my way, through night and day
Cause I know I just can't stay
Here in heaven”
―
“I have always been resistant to doctrine, and any spirituality I had experienced thus far in my life had been much more abstract and not aligned with any recognized religion. For me, the most trustworthy vehicle for spirituality had always proven to be music. It cannot be manipulated, or politicized, and when it is, that becomes immediately obvious.”
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“I never set myself too high a goal. It was always tone and feeling, for me.”
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“I am and always will be a blues guitarist”
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“My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.”
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“La tournée terminée, Tom et Roger pensèrent qu'après le succès de I Shot The Sheriff, ce serait bien de descendre dans les Caraïbes pour continuer sur le thème du reggae. Ils organisèrent un voyage en Jamaïque, où ils jugeaient qu'on pourrait fouiner un peu et puiser dans l'influence roots avant d'enregistrer. Tom croyait fermement au bienfait d'exploiter cette source, et je n'avais rien contre puisque ça voulait dire que Pattie et moi aurions une sorte de lune de miel. Kingston était une ville où il était fantastique de travailler. On entendant de la musique partout où on allait. Tout le monde chantait tout le temps, même les femmes de ménage à l'hotel. Ce rythme me rentrait vraiment dans le sang, mais enregistrer avec les Jamaïcains était une autre paire de manches.
Je ne pouvais vraiment pas tenir le rythme de leur consommation de ganja, qui était énorme. Si j'avais essayé de fumer autant ou aussi souvent, je serais tombé dans les pommes ou j'aurais eu des hallucinations. On travaillait aux Dynamic Sound Studios à Kingston. Des gens y entraient et sortaient sans arrêt, tirant sur d'énormes joints en forme de trompette, au point qu'il y avait tant de fumée dans la salle que je ne voyais pas qui était là ou pas. On composait deux chansons avec Peter Tosh qui, affalé sur une chaise, avait l'air inconscient la plupart du temps. Puis, soudain, il se levait et interprétait brillamment son rythme reggae à la pédale wah-wah, le temps d'une piste, puis retombait dans sa transe à la seconde où on s'arrêtait.”
― The Autobiography
Je ne pouvais vraiment pas tenir le rythme de leur consommation de ganja, qui était énorme. Si j'avais essayé de fumer autant ou aussi souvent, je serais tombé dans les pommes ou j'aurais eu des hallucinations. On travaillait aux Dynamic Sound Studios à Kingston. Des gens y entraient et sortaient sans arrêt, tirant sur d'énormes joints en forme de trompette, au point qu'il y avait tant de fumée dans la salle que je ne voyais pas qui était là ou pas. On composait deux chansons avec Peter Tosh qui, affalé sur une chaise, avait l'air inconscient la plupart du temps. Puis, soudain, il se levait et interprétait brillamment son rythme reggae à la pédale wah-wah, le temps d'une piste, puis retombait dans sa transe à la seconde où on s'arrêtait.”
― The Autobiography
“Early in my childhood, when I was about six or seven, I began to get the feeling that there was something different about me.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“Music became a healer for me, and I learned to listen with all my being. I found that it could wipe away all the emotions of fear and confusion relating to my family.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“Watching him, I understood for the first time how you could really live music, how you could listen to it completely and make it come alive, so that it was part of your life.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“Music will always find its way to us, with or without business, politics, religion, or any other bullshit attached. Music survives everything, and like God, it is always present. It needs no help, and suffers no hindrance. It has always found me, and with God’s blessing and permission, it always will.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“All I am certain of right now is that I don't want to go anywhere, and that's not bad for someone who always used to run.”
― Eric Clapton: The Autobiography
― Eric Clapton: The Autobiography
“Let it grow, let it grow,
Let it blossom let it flow.
In the sun, the rain, the snow,
Love is lovely, let it grow.”
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Let it blossom let it flow.
In the sun, the rain, the snow,
Love is lovely, let it grow.”
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“In terms of scale or stature, I believe that if Robert Johnson was reincarnated, he is probably BB King. Maybe it would be worth investigating the appropriate dates to see if this is even a remote possibility.”
― Eric Clapton: The Autobiography
― Eric Clapton: The Autobiography
“The music scene as I look at it today is a little different from when I was growing up. The percentages are roughly the same - 95 percent rubbish, 5 percent pure.”
― Eric Clapton: The Autobiography
― Eric Clapton: The Autobiography
“An obsession is where something will not leave your mind”
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“One night we were sitting in the great room at Hurtwood when he said, “Well, I suppose I’d better divorce her,” to which I replied, “Well, if you divorce her, then that means I’ve got to marry her!” It was like a scene from a Woody Allen film. Over the years, our relationship developed into a sort of cagey brotherliness, with him, of course, being the elder brother. There was no doubt that we loved one another, but when we actually got together it could get quite competitive and tense, and I very rarely got the last word.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“In a trio I had to provide a lot more of the sound, and I found that difficult because I didn’t really enjoy having to play so much. My technique altered quite a lot in that I started playing a lot more bar chords and hitting open strings to provide a kind of drone for my lead work.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“There seems to be a silent acknowledgment among most players that we have a certain responsibility as teachers or healers, and although we all have different ways of honoring this commitment, it is certainly something we are all aware of.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“When we arrived in Toronto it was raining, and we were standing around waiting for the luggage when a huge limo rolled up, and John and Yoko jumped into it and drove away, leaving the rest of us standing there without a clue as to what to do next. “Well, that’s nice,” I thought. In the end we got in the van with the luggage, which I deemed a bit sad, as I felt we deserved a little more respect than that.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“The only prewritten songs I had ready were “Circus” and “My Father’s Eyes,” neither of which seemed to have found their right incarnation yet. For almost a year we worked day and night, sometimes just perfecting little guitar motifs, or honing and reshaping tracks with the Pro Tools system that Simon is a master of. The result was one of my favorite albums; I poured my soul into this one, and I believe you can hear that.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“One of the songs I wrote while living there was called “Tearing Us Apart,” which was about “the committee,” the group of Pattie’s friends whom I now blamed for coming between us.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“There were too many Cream and Traffic fans around for that, and the truth is we didn’t really know or care which we were. Looking back, I realize that from the start I knew that this was not what I really wanted to do, but I was lazy. Instead of putting more time and effort into making the band into what I thought it ought to be, I opted instead for the laid-back approach, which was just to look for something else that already had an identity.”
― Clapton: The Autobiography
― Clapton: The Autobiography
“The acid gradually took effect, and soon we were all dancing to the sounds of “Lucy in the Sky” and “A Day in the Life.” I have to admit I was pretty moved by the whole thing.”
― Clapton: The Autobiography
― Clapton: The Autobiography



