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“Surely some of you have felt the same way that I do. You have turned sullenly from those thousands of glowing, perfect teeth lighting the American landscape and slouched to the darkness—the half-lighted room, the twilight forest, the empty café. There you have sat and settled into the bare, hard fact that the world is terrible in its beauty, indifferent much of the time, incoherent and nervous and resplendent when on certain evenings, when the clouds are right, a furious owl swooshes luridly from the horizon. You feel that sweet pressure behind your eyes, as if you would at any minute explode into hot tears. You long to languish in this unnamed sadness, this vague sense that everything is precious because it is dying, because you can never hold it, because it exists for only an instant.”
Eric G. Wilson, Against Happiness: In Praise of Melancholy
“To desire only happiness in a world undoubtedly tragic is to become inauthentic.”
Eric G. Wilson
“Creating doesn't make us unhappy, unhappiness makes us creative. To create is to live, and in living, we want only to creat more, to set our foundations depper and reach higher toward the sky. If sadness is what makes us creative, then sadness is nothing else but life.”
Eric G. Wilson
“The porcelain rose is not as pretty as the one that decays.”
Eric G. Wilson
“Do not perceive through overly judgmental eyes, prone to damnation. If you do, you are constrained to witness nothing but your notion of perfection, either fulfilled or violated. Gaze at life rather as though you were always blessing it, consecrating it, humbly, as holy, and then your biases will be relaxed and your curiosity will be aroused and surprise; there, in your peripheral, a glimmer after which you go, and it is gone, but its absence gleams.”
Eric G. Wilson
“The point is, you are most you, at your best, when you create the roles that make you feel most alive: witty, lyrical, speculative, loving, but also, and here’s the rub, cynical, sarcastic, angry, muddled, sad—for negative states can be just as vital as positive ones. Fullness is the goal, myriad-mindedness (a happy phrase Coleridge conjured to describe Shakespeare): to be as varied and capacious as the cosmos. With this bigness, containing the most sublime and the low at once, you can hope that generosity will win out over the meanness, that you will foster the democratic, merciful embrace of what is as well as what ought to be. The best actor, Hamlet asserts, uses all gently.”
Eric G. Wilson, Keep It Fake: Inventing an Authentic Life
“To be fake in this dreamy universe is to believe in actual authenticity and behave accordingly, and to be in tune with the real is to know it's all phony and to create, with a generous heart, your own sweet ruse.”
Eric G. Wilson, Keep It Fake: Inventing an Authentic Life
“La tristeza nos concilia con la realidad. Nos arroja al fluir de la vida. Nos coloca en el borde afilado de la experiencia. Aviva el latido del corazón, que palpita entre la fe y la duda. La tristeza dice a la mente atormentada: es bueno languidecer en lo incompleto. Canta al ánimo más lóbrego: aguanta la oscuridad porque ahí, en la sombría intimidad, irrumpirá la luz más brillante. Entona un canto a la desesperanza del alba, al esfuerzo triste; dice a ambos: permanece en tu desolación, de su vacío algo surgirá, una nueva conciencia, una nueva forma de ver y de ser.”
Eric G. Wilson

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Against Happiness: In Praise of Melancholy Against Happiness
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How to Be Weird: An Off-Kilter Guide to Living a One-of-a-Kind Life How to Be Weird
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Everyone Loves a Good Train Wreck: Why We Can't Look Away Everyone Loves a Good Train Wreck
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