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“To dance is to be out of yourself. Larger, more beautiful, more powerful.. This is power, it is glory on earth and it is yours for the taking”
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“Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little. The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.”
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“No trumpets sound when the important decisions of our life are made. Destiny is made known silently.”
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“The truest expression of a people is in its dance and in its music. Bodies never lie.”
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“To dance is to be out of yourself. Larger, more beautiful, more powerful.”
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“Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.”
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“I confessed that I had a burning desire to be excellent, but no faith that I could be.
Martha said to me, very quietly: “There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. As for you, Agnes, you have so far used about one-third of your talent.”
“But,” I said, “when I see my work I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.”
“No artist is pleased.”
“But then there is no satisfaction?”
“No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”
― Martha: The Life and Work of Martha Graham- A Biography
Martha said to me, very quietly: “There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. As for you, Agnes, you have so far used about one-third of your talent.”
“But,” I said, “when I see my work I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.”
“No artist is pleased.”
“But then there is no satisfaction?”
“No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”
― Martha: The Life and Work of Martha Graham- A Biography
“Ours is an upbeat, a hurried, hasty beat. It keeps pressing us to go farther, to include everything so that we can savor everything, so that we can know everything, so that we will miss nothing. Partly it's greed, but mainly its curiosity. We just want to experience it. And we do.”
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“Dance in the body you have.”
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“The creative urge is the demon that will not accept anything second rate.”
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“I fell in love with the young assistant professor who took me through my first poetry course. Really in love--that is, enough to alarm Mother. Although naturally I never breathed my feelings to a soul--although naturally the first time she suggested that I might invite him home for tea I went to my room and shook for forty minutes. So she may have noticed something. In any case, in order to patrol the situation, she enrolled in his courses. And, as we bore the same name, she was seated beside me where not the flickering of an eyelash escaped her attention. I never have heard of this happening to anyone else in the history of education.”
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“Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little. The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.”
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―
“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself and your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. . . . No artist is pleased. [There is no] satisfaction whatever at any time . . . There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”
―
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“No trumpets sounds when the important decisions of our life are made. Destiny is made known silently.”
―
―
“The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.”
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