Raymond Federman > Quotes

“And so, for me, the only fiction that still means something today is the kind of fiction that tries to explore the possibilities of fiction beyond its own limitations; the kind of fiction that challenges the tradition that governs it; the kind of fiction that constantly renews our faith in man's intelligence and imagination rather than man's distorted view of reality; the kind of fiction that reveals man's playful irrationality rather than his righteous rationality.”
― Raymond Federman

“You're smiling. But you must know yourself, since you are a literary person, that the work of fiction is always a form of recovery of the past, even if that past has to be falsified to seem real. The act of recalling the past in what we write doesn't mean knowing the way it really was, but rather becoming the master of memories as they burn in the perilous instant of creation.”
― Raymond Federman, Aunt Rachel's Fur

“Listen carefully because what I'm going to tell you now is very important, so pay attention, you see, one always walks for a reason, when you walk it's because you're going somewhere, to work, to the grocery store to do your shopping, to your girlfriend's house for a quickie, to walk your dog, and even if you're going nowhere, if you don't have a real destination, there's always a reason for walking, to stretch your legs, to exercise, to ponder your future, whereas one dances for nothing, only for the beauty of dancing, for the form, because one can never tell the dancer from the dance, as Yeats put it so well, the walker always walks for a reason, it's the reason that makes him walk, good or bad, useful or useless, doesn't matter, ah but one dances for no reason, that's what you have to understand if you're going to stay and listen to me, I'm not walking here, I'm dancing, get it, I'm doing acrobatics, I don't tell my stories in order to get somewhere, I tell them for the simple pleasure of telling, no more no less, and if you're listening in order to find out what's going to happen at the end, you're wasting your time, you have to listen just for the pleasure of listening to my voice, to the dancing of my voice if you prefer...”
― Raymond Federman, Aunt Rachel's Fur

“And so we must dig in to see where raw words and fundamental sounds are buried so that the great silence within can finally be decoded.”
― Raymond Federman, To Whom it May Concern

“Plots are for dead people.”
― Raymond Federman, Aunt Rachel's Fur

“...but Marcel in the novel does not merely remember what happened to him when he was younger and lived the life of a dilettante, in most cases he invents, he speculates, imagines makes up stories about himself and the other characters in the novel. Yes, Marcel constantly invents, right before our eyes, what he thinks happened, or might have happened, or ought to have happened, especially since, in many instances, he was not present himself to witness what happened, or if he was present he was unable to hear or see what was happening. That is, in fact, the key to this novel: that Marcel does not simply remember what he tells us, but that he speculates on the basis of what he thinks he remembers. Therefore, it is not memory but imagination that engenders the novel. A la recherche du temps perdu is not simply a work of fiction that looks backward to retrieve the past, it is above all a novel that looks forward towards its own future, towards its own making, as it reflects on its creative process. And that is also true of much contemporary fiction, or what has been called New Fiction, Metafiction, Anti-fiction, Postmodern Fiction, or Surfiction.”
― Raymond Federman, Federman A to X X X X: A Recyclopedic Narrative

“Incredible the mass labor of the fat ugly masturbators of the 82nd AIRBORNE DIVISION! Wow have I seen gallons and gallons of sperm spilled, wasted, in the nights of North Carolina, and tons and tons of sheets stained, yellowed by the juice of these guys of the 82nd! Kilos and kilos! Piles and piles! Truckloads and truckloads of sheets full of vicious and doubtful traces and circles.”
― Raymond Federman, Take It or Leave It

“Because you see darling, darling, there are no false questions. All questions in life are true questions. Answers may be false, but questions cannot be false. Sure,they can be dumb, they can be stupid, but never false.”
― Raymond Federman, Smiles on Washington Square

“What the hell, it always rains in sad love stories. And in happy ones too. Must be a reason, though perhaps not necessarily metaphysical.”
― Raymond Federman, Smiles on Washington Square

“Ray did not but could have said, *quote*Me, I read books [.....] How's about you?*closequote*”
― Raymond Federman, Take It or Leave It

“Frog backward is GO RF.”
― Raymond Federman, Federman A to X X X X: A Recyclopedic Narrative

“Most love stories are nocturnal. That's what makes them so fascinating.”
― Raymond Federman, Smiles on Washington Square

“To commit the act of felo-de-se is a form of delusion. You see, my love, to leave one's life unfinished implies the possibility of success. What is left unlived may contain the potential truth one always seeks. Those who kill themselves do so with the conviction that they would have reached that truth eventually had they lived to the proper end. They die in the illusion of hope which in a way keeps the rest of us alive. Reason, therefore, for not committing suicide.”
― Raymond Federman, Smiles on Washington Square

“We all live like cockroaches in the crevices of our imagination.”
― Raymond Federman

“Moinous reaches for Sucette's hand and squeezes it. Oh but I do love you, I do, I swear, in spite of them. However, for the first time in his life Moinous understands what quicksand love is.”
― Raymond Federman, Smiles on Washington Square