André Alexis > Quotes

“Perfect understanding between beings is no guarantor of happiness. To perfectly understand another's madness, for instance, is to be mad oneself. The veil that separates earthly beings is, at times, a tragic barrier, but it is also, at times, a great kindness.”
― André Alexis, Fifteen Dogs

“Death was in every fibre of these creatures. It was hidden in their languages and at the root of their civilizations. You could hear it in the sounds they made and see it in the way they moved. It darkened their pleasures and lightened their despair.”
― André Alexis, Fifteen Dogs

“...you can't know what a life has been until it is over.”
― André Alexis, Fifteen Dogs

“Just listen to these people. You'd swear they understood each other though not one of them has any idea what their words actually mean to another.”
― André Alexis, Fifteen Dogs

“The group of people in front of her was jovial and paid her no attention. The group behind was much the same. She was alone without being alone.”
― Andre Alexis, Pastoral

“– And yet, said Atticus, I am sometimes afraid that I will not know the feeling again, that I will never again know what it is to be a dog among dogs. This thinking of yours, black dog, it is an endless, dead field. Since the change, I have been alone with thoughts I do not want.”
― André Alexis, Fifteen Dogs

“Beyond the hills, a master is who knows our secret names. With bell and bones, he’ll call us home, winter, fall or spring.”
― André Alexis, Fifteen Dogs

“Nira was uncomfortable with power or even with the appearance of it. One day, she asked Majnoun if he would put her on a leash, their positions being reversed. He had answered ‘no,’ and this had made Nira feel even more uncomfortable. But Majnoun had, in fact, misunderstood her question. If she had said – Masters have agreed that their submissives must be bound to them with leashes and collars. If you were a master, would you keep me on a leash? Majnoun would, without hesitation, have answered ‘yes.’ If she had been his submissive, he would naturally have treated her according to the custom. Order in a pack is maintained through convention, and it made no sense, as far as Majnoun was concerned, to overturn conventions that worked. But he had understood her question on a more practical level. He had thought of how awkward it would be for him to hold a leash in his mouth while Nira walked about on her hands and knees. Understanding the question as he had, the only possible answer had been the ‘no’ he’d given.)”
― André Alexis, Fifteen Dogs

“... she refused to allow anyone - even Miguel - to refer to Majnoun as 'her' dog.
- I'm as much his as he's mine, she'd insist.
Her friends - and her husband - thought this an annoying eccentricity. Majnoun knew what she meant - that she was not his master - and he was grateful. But in his heart he felt as if he did belong to her, in the sense that he was a part of Nira and she a part of him.”
― André Alexis, Fifteen Dogs

“The light that moves is not the light. The light that stays is not the light. The true light rose countless sleeps ago. It rose, even in the mouth of birds.”
― André Alexis, Fifteen Dogs

“The grass is wet on the hill. The sky has no end. For the dog who waits for his mistress, Madge, noon comes again.”
― André Alexis, Fifteen Dogs

“One morning, they discovered that they’d dreamed of the same field, the same clouds, the same house in the distance – wooden with a red-brick chimney. They had dreamed of the same squirrels and rabbits. They had drunk from the same clear stream. There was only one difference: when Nira, in her dream, looked into the water, she saw Majnoun’s face reflected back at her, while Majnoun, in his, saw Nira’s face where his should have been. The fact of this shared dream was so moving to Nira that, ever after, she refused to allow anyone – even Miguel – to refer to Majnoun as ‘her’ dog.”
― André Alexis, Fifteen Dogs

“This new thinking leads away from the pack, but a dog is no dog if he does not belong.”
― André Alexis, Fifteen Dogs

“why is there day, why must night come … – Pablo Neruda, ‘Ode to a Dog”
― André Alexis, Fifteen Dogs

“The city had been built by people from innumerable elsewheres. It was a chaos of cultures ordered only by its long streets. It belonged to no one and never would, or maybe it was a million cities in one, unique to each of its inhabitants, belonging to whoever walked its streets.”
― André Alexis, The Hidden Keys

“Prince's words had not been meant as a warning. Rather, he had been playing. He had been pretending. He had been speaking for speaking's sake. Could there be a more despicable use for words?”
― André Alexis, Fifteen Dogs

“In the end, it surprised Majnoun to discover that works of art...were not understandable in the way people were. These works were, it seemed, created to evade understanding while inviting it.”
― André Alexis, Fifteen Dogs

“In the sunny world, with its small things moving too fast, I shy away from light and in the attic cuss the dark.”
― André Alexis, Fifteen Dogs

“What is the name of he who comes with eyes closed and fingers black, the one who draws the curtains back when dawn has come? ‘Agha Thanatos’ or just plain ‘Death’? When will I know which is right?”
― André Alexis, Fifteen Dogs

“Summer is full of smoke, and endless lawns. Quietly, whether across moss or on algae, knee over the railing of the little porch, fate comes.”
― André Alexis, Fifteen Dogs

“¿Estamos hablando de seres felices o de vidas felices? No, déjalo. En cualquier caso, acepto tus condiciones. La inteligencia humana no es un don, sino una calamidad que a veces resulta útil. ¿Qué animales eliges?”
― André Alexis, Fifteen Dogs

“most of the significant moments in her life were really significant only long after they had happened.”
― Andre Alexis, Pastoral

“Perfect understanding between beings is no guarantor of happiness. To perfectly understand another’s madness, for instance, is to be mad oneself.”
― André Alexis, Fifteen Dogs

“because he was the man he was, one strong thing came out of the confusion: love. ‘Love’ had caused him trouble in the recent past, but he went with it anyway, stubbornly holding to the idea that ‘love’ — whenever and wherever it touched down — was always right.”
― Andre Alexis, Pastoral

“With one paw, trying the edges of the winter pond, finding its waters solid, he advances, nails sliding, still far from home.”
― André Alexis, Fifteen Dogs

“In the golden tent of early morning when the sky has turned its back when the sky has turned its back and isn’t listening when the scallops stand upright on their hinges …”
― André Alexis, Fifteen Dogs

“It wasn't the finality of death that surprised him. It was the ghostly persistence of life. As if to say, it isn't the dead who haunt the living; it's the living who haunt the dead.”
― André Alexis, Pastoral

“then there were those sessions that smelled of cow. During these, Randy would wear black leather (with parts of himself exposed) and plead while Clare struck him with a riding crop. Most remarkably, it was then she who would penetrate Randy. More: Randy’s pleadings were, in the bedroom, as pathetic as Clare’s sometimes were in the real world, yet both of them seemed to desire these moments during which Clare was fully and admirably dominant”
― André Alexis, Fifteen Dogs

“We bound into the prairie through ages of Winter grass, taking the path Ina took. Her name long gone, though her roads linger. The ground will not forget. or   Longing to be sprayed (the green snake writhing in his master’s hand), back and forth into that stream – jump, rinse: coat slick with soap.”
― André Alexis, Fifteen Dogs

“as”
― André Alexis, Fifteen Dogs