Mohammed El-Kurd > Quotes

“What do you say to the children for whom the Red sea won't part?”
― Mohammed El-Kurd, Rifqa

“I no longer feel the responsibility to give humans eyes for humanity.”
― Mohammed El-Kurd, Rifqa

“A woman tells him a pen is a sword. What’s a pen
to a rifle? Another fed him a sonnet. If Shakespeare
was from here he wouldn’t be writing.”
― Mohammed El-Kurd, Rifqa

“Our massacres are only interrupted by commercial breaks. Judges legalize them. Correspondents kill us with passive voice. If we are lucky, diplomats say that our death concerns them, but they never mention the culprit, let alone condemn the culprit. Politicians, inert, inept, or complicit, fund our demise, then feign sympathy, if any. Academics stand idle. That is, until the dust settles, then they will write books about what should have been.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“A few years ago, my grandmother and I watched men preach about patience on TV. Be patient! For after patience comes relief! My grandmother responded, After patience comes the grave!”
― Mohammed El-Kurd, Rifqa

“A Palestinian man cannot just die. For him to be mourned, he must be in a wheelchair or developmentally delayed, a medical professional, or noticeably elderly at the very least. Even then, there are questions about the validity of his victimhood.”
― Mohammed El-Kurd, Rifqa

“It was disorienting, albeit sobering, to realize that advocating for Palestine, like all things, is entrenched in and informed by capitalism, that there was a market for our suffering, something that, for many, may have already been self-evident.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Birth lasts longer than death. In Palestine death is sudden, instant, constant, happens in between breaths.”
― Mohammed El-Kurd, Rifqa

“Palestine is a microcosm of the world: wretched, raging, fraught, and fragmented. On fire. Stubborn. Ineligible. Dignified. The lens we lend the Palestinian reveals how we see each other, how we see everything else.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“in Jerusalem, every footstep is a grave. /Here, every footstep is a grave, / every grandmother is a Jerusalem.”
― Mohammed El-Kurd

“The very quality of propaganda—illogic—is precisely its strongest suit, because it is a distraction. Distraction from what? The focal point: colonialism, siege, military occupation.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“And do their words matter when their policies speak for themselves?”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Take the genre of Israelis and Palestinians making films together. The Palestinian filmmaker is chaperoned to the film festival, allowed on stage as their authoritative cosignatory’s charismatic sidekick. No one—not the producer of the festival, not the columnist writing a review—seems to care about the content of the film, whether it is good or garbage. What matters most is that the film was codirected, a mode that satisfies a libidinal urge in the viewers. They eavesdrop on a forbidden conversation, a titillating reconciliation between the slayer and the slain. Discussions about the film, reviews, the way it is promoted, and our excited elevator pitches to one another all become mastur-batory, reducing the film to the fact that it was a collaboration between an Israeli and a Palestinian, fulfilling the viewer’s fantasy of a happy ending to an otherwise miserable story. We turn it into a fetish.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“We forget that belief has little to do with truth. People tend to believe the powerful, the compelling, not the sincere. The truth, that which is factual and historically accurate, is irrelevant in the face of the dominant, institutionally mainstreamed narratives that forge their truth.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“In my brief twenty-two years of personhood, I have seen Palestine dwindle in size and spirit like a decaying loved one.”
― Mohammed El-Kurd, Rifqa

“The idea is to spit out the bait and spit at the accusation. To demystify and reject what it is they demand of us: perfect victimhood and perfect surrender.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Language is a minefield. It has significant influence on how we think and what we believe. So remember to be CRITICAL.”
― Mohammed El-Kurd

“Curating the native as “respectable” is a misplaced priority because it redirects critical scrutiny away from the colonizer, which in turn neglects the innate injustice of the colonial project.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Resistance, in the Western mind, is a mutating concept. While Ukrainian resistance is glorified for its guerrilla warfare tactics, Palestinian resistance—termed “terrorism”—is puzzling, perverted, and pathological. Mainstream media’s insistence on these framings is not due to any fundamental differences in the ways both peoples exercise violence. Nor is it solely because of Ukrainians’ skin color; one needs to look no further than the Irish Republican Army to see that whiteness alone is no golden ticket—at least not in a war against British colonialism. Rather, the tonal shift employed in media coverage is simply in service of the West’s strategic interests. While the Israeli settler-colonial regime is the United States’ most important ally in the Middle East, and practically an offshoot of Europe, created to protect Western imperialism, Russia represents an “existential” threat to the West.35”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“There is no uniform way to grieve the killing of your loved ones. Sometimes it is graceful, other times it is vengeful.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Why do we give the authority of narration to those who have murdered and displaced us when the scarcity of their guilt means honesty is unlikely? Why do we wait for those carrying the batons to confess when our bruised bodies tell the whole truth?”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“The Palestinian People have consistently made it crystal clear that our enemy is Zionism, an ideology of dispossession, an expansionist and racist settler-colonial enterprise. Zionism, not Jews. Our capacity to produce such distinction is admirable and impressive, considering the heavy-handedness with which Zionism attempts to synonymize itself with Judaism. However, this distinction is not our responsibility, and, personally, it is not my priority.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“The settler is self-deluded. The settler’s gaze ignores the ruins atop which the settler town is built. Always in the settler’s peripheral vision, rubble is both ubiquitous and unobtrusive, filtered out like our eyes do our noses.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Sing me a song of home
break a dish or two throw a stone or two
because the screams make me nostalgic:
I almost don't fear the sirens.”
― Mohammed El-Kurd, Rifqa

“There is a thin line between representation, particularly liberal reductions around representation, and the reproduction of the Palestinian as a fetish or a token, thus as a dehumanized subject once more.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Did I really have to go and “see for myself,” or did I ignore a century of Palestinian literature? Am I cognizant of how that refusal to engage local and grassroots knowledge production continues to undermine its value on the world stage, undermining also the value and authority of Palestinian narration? Do I have a class analysis in my work? Do I acknowledge that I get awards for saying similar things to what the student movement has been criminalized, suspended, and censured for saying? Do I name my institutional backing? What are the material and monetary conditions of those whose voices I amplify? Am I only referencing dead guys? What does my works cited page look like?”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“But how many hours have you wasted defending against ad hominem attacks (No, our men are gentle fathers!) or assuaging the paranoias of strawman arguments (No, “from the river to the sea” is not a secret call to genocide!) or navigating slippery slopes (No, a free Palestine will not lead to a second Holocaust!) or pausing for red herrings (No, there are no tunnels under the hospital!) or appealing to authority (Even the Israeli scholars agree that it is a genocide!) or debunking equivocations (No, anti-Zionism is not antisemitism!)? The very quality of propaganda—illogic—is precisely its strongest suit, because it is a distraction.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Yet the strategy of favoring non-Palestinian voices does little to bypass the reader’s anti-Palestinian bias. Instead, it reifies that bias and the power structures that manufacture it, cementing the impression that Palestinian voices are suspicious or subpar.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“I am certain some readers will find those previous lines uncomfortable or even incendiary, but that is precisely the point: language comparing Zionists to Nazis is scrutinized—even penalized—more than the government policies and military actions that beg for the analogy to be made.”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal

“Western knowledge producers or those using Western voices in their knowledge production should ask themselves a few questions: Where do Palestinians fit in this work? Do they have any agency, or are they a tool to drive the point across? Are my filmmaking practices extractive? How can I practice responsible authorship? Have I instilled in my project enough cues to incentivize my audience to consume it critically, or am I patting myself on the back? Am I doing the challenging chore of speaking to my bigoted, acrimonious community, accosting my Zionist aunt at the dinner table, or am I preaching—pandering, really—to the choir? Did I really have to go and “see for myself,” or did I ignore a century of Palestinian literature? Am I cognizant of how that refusal to engage local and grassroots knowledge production continues to undermine its value on the world stage, undermining also the value and authority of Palestinian narration? Do I have a class analysis in my work? Do I acknowledge that I get awards for saying similar things to what the student movement has been criminalized, suspended, and censured for saying? Do I name my institutional backing? What are the material and monetary conditions of those whose voices I amplify? Am I only referencing dead guys? What does my works cited page look like?”
― Mohammed El-Kurd, Perfect Victims: And the Politics of Appeal