John Ajvide Lindqvist > Quotes

“Real love is to offer your life at the feet of another.”
― John Ajvide Lindqvist, Let the Right One In

“Are you OLD?"
"No. I'm only twelve. But I've been that for a long time.”
― John Ajvide Lindqvist, Let the Right One In

“There was no one to be seen so she gave in freely to her sobs as she made her way home, pressed her arms against her stomach; the pain lodged in there like an ill-tempered foetus.
Let a person in and he hurts you.
There was a reason why she kept her relationships brief. Don't let them in. Once they're inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”
― John Ajvide Lindqvist, Let the Right One In

“Be me a little.”
― John Ajvide Lindqvist, Let the Right One In

“Closed his mouth. Then pressed a kiss on Oskar's lips. For a few seconds Oskar saw through Eli's eyes. And what he saw was... himself. Only much better, more handsome, stronger than what he thought of himself. Seen with love.”
― John Ajvide Lindqvist, Let the Right One In

“Keep your relationships brief. Don’t let them in. Once they’re inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”
― John Ajvide Lindqvist, Let the Right One In

“For a few seconds Oskar saw through Eli's eyes. And what he saw was...himself. Only much better, more handsome, stronger than what he thought of himself. Seen with love." (Let the Right One In)”
― John Ajvide Lindqvist

“-there was something in her, something that was...pure horror. Everything you were supposed to watch out for. Heights, fire, shards of glass, snakes, Everything that his mom tried so hard to keep him safe from.”
― John Ajvide Lindqvist, Let the Right One In

“What he was scared of was not that maybe she was a creature who survived by drinking other people's blood. No, it was that she might push him away.”
― John Ajvide Lindqvist, Let the Right One In

“He had put his hand up in class, a declaration of existence, a claim that he knew something. And that was forbidden to him. They could give a number of reasons for why they had to torment him; he was too fat, too ugly, too disgusting. But the real problem was simply that he existed, and every reminder of his existence was a crime.”
― John Ajvide Lindqvist, Let the Right One In

“It is impossible to say why we love something or someone. We can come up with reasons if we have to, but the important part happens in the dark, beyond our control. We just know when it is there. And when it goes away.”
― John Ajvide Lindqvist, Little Star

“Which monster do you choose?”
― John Ajvide Lindqvist, Let the Right One In

“Who can really say how decisions are made, how emotions change, how ideas arise? We talk about inspiration; about a bolt of lightnng from a clear sky, but perhaps everything is just as simple and just as infinitely complex as the processes that make a particular leaf fall at a particularmoment. That point has been reached, that's all. It has to happen, and it does happen.”
― John Ajvide Lindqvist, Harbor

“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark.

The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.

And in its place a person had superimposed a pair of jeans.”
― John Ajvide Lindqvist, Let the Right One In

“A lot of screams for so little wool, said the man who sheared the pig”
― John Ajvide Lindqvist, Let the Right One In

“They stood there for a while, not saying anything. Then Eli said: 'Do you want to come in?'
Oskar didn't reply. Eli pulled on her T-shirt, lifted her hands, let them fall.
'I'm never going to hurt you.'
'I know that.'
'What are you thinking about?'
'That T-shirt. Is it from the trash room?'
'...yes.'
'Have you washed it?'
Eli didn't answer.
'You're a little gross, you know that?'
'I can change, if you like.'
'Good. Do that.”
― John Ajvide Lindqvist, Let the Right One In

“Land and sea.
We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land.
If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land.
But the sea. The sea is something completely different. The sea is one.
We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea.
If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us.
To other gods we send our prayer: Protect us from the sea.”
― John Ajvide Lindqvist, Harbor

“You can plan for things, work towards them for years, and yet they never materialize. Or you can just happen to be in the right place at the right moment, and everything falls into place. If you want to believe in something like Fate, she's a capricious character. Sometimes she stand there blocking the doorway you were born to pass through, and sometimes she takes you by the hand and leads you through the minute you poke your nose out. And the stars gaze down and keep their counsel.”
― John Ajvide Lindqvist, Little Star

“This wasn't the way he had expected his life to be. It worked, but that was about all. Happiness had got lost somewhere along the way.”
― John Ajvide Lindqvist, Harbor

“That's how things are these days: everything must move aside to make room for the new, all the time.”
― John Ajvide Lindqvist, Let the Old Dreams Die

“That's how you should be. Accept your burden and carry it, with joy.”
― John Ajvide Lindqvist

“He felt like normal. Filled with anxiety, dread, sure. But even that wasn't unusual...”
― John Ajvide Lindqvist, Let the Right One In

“Sorry I broke your music machine.”
― John Ajvide Lindqvist, Let the Right One In

“Which circle did Dante himself go to after death...”
― John Ajvide Lindqvist, Let the Right One In

“That's what love looks like. It can happen. Two people can find one another, and then work together to sustain that amorphous, incomprehensible third party that has arisen between them. Love becomes an entity unto itself; the thing that determines how life is to be lived.”
― John Ajvide Lindqvist, Harbor

“Viktor had been very sad about their grandfather's death, but Flora had intuited that it was less the person he grieved for than the fact of death itself. Death meant that people actually disappeared. That everyone was going to disappear”
― John Ajvide Lindqvist, Handling the Undead

“Children. There was no particular gurney for children and few things made Benke feel as uncomfortable as seeing the empty spaces left over on the trolley when he was transporting the body of a child; the little figure under the white cover, pushed up against the headboard. The lower half empty, the sheet smooth. That flat sheet was death itself.”
― John Ajvide Lindqvist, Let the Right One In

“And that's the bottom layer in old boxes: melancholy, an indefinable sense of loss. You dig around and it comes swirling up to the top”
― John Ajvide Lindqvist, Let the Old Dreams Die

“But then, it's probably different when you're young.”
― John Ajvide Lindqvist, Let the Right One In

“He glanced at the sheep photograph and nodded to himself. In his present state it did not seem strange to him that the police were apprehending sheep.”
― John Ajvide Lindqvist, Let the Right One In