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“America seems filled with violent people who like causing people pain but hate when those people tell them that pain hurts.”
Kiese Laymon, Heavy
“For the first time in my life, I realized telling the truth was way different from finding the truth, and finding the truth had everything to do with revisiting and rearranging words. Revisiting and rearranging words didn't only require vocabulary; it required will, and maybe courage. Revised word patterns were revised thought patterns. Revised thought patterns shaped memory. I knew, looking at all those words, that memories were there, I just had to rearrange, add, subtract, sit, and sift until I found a way to free the memory.”
Kiese Laymon, Heavy
“I learned you haven't read anything if you've only read something once or twice. Reading things more than twice was the reader version of revision.”
Kiese Laymon, Heavy
“And don’t fight when you’re angry. Think when you’re angry. Write when you’re angry. Read when you’re angry.”
Kiese Laymon, Heavy
“the most abusive parts of our nation obsessively neglect yesterday while peddling in possibility. I remembered that we got here by refusing to honestly remember together.”
Kiese Laymon, Heavy
“My body knew things my mouth and my mind couldn't, or maybe wouldn't, express. It knew that all over my neighborhood, boys were trained to harm girls in ways girls could never harm boys, straight kids were trained to harm queer kids in ways queer kids could never harm straight kids, men were trained to harm women in ways women could never harm men, parents were trained to harm children in ways children would never harm parents, babysitters were trained to harm kids in ways kids could never harm babysitters. My body knew white folk were trained to harm us in ways we could never harm them.”
Kiese Laymon, Heavy
“Not so deep down, we all know that safety is an illusion, that only character melds us together. That’s why most of us do everything we can (healthy and unhealthy) to ward off that real feeling of standing alone so close to the edge of the world.”
Kiese Laymon, How to Slowly Kill Yourself and Others in America
“Mostly, I wondered what black writers weren't writing when we spent so much creative energy begging white folk to change.”
Kiese Laymon, Heavy
“I will wonder if the memories that remain with age are heavier than the ones we forget because they mean more to us, or if our bodies, like our nation, eventually purge memories we never wanted to be true.”
Kiese Laymon, Heavy
“Most groups of men I knew were good at destroying women and girls who would do everything not to destroy them.”
Kiese Laymon, Heavy
“rest of my teachers maybe did the best they could, but they just needed a lot of help making their best better. There were so many things we needed in those classrooms, in our city, in our state, in our country that our teachers could have provided if they would have gone home and really done their homework. They never once said the words: “economic inequality,” “housing discrimination,” “sexual violence,” “mass incarceration,” “homophobia,” “empire,” “mass eviction,” “post traumatic stress disorder,” “white supremacy,” “patriarchy,” “neo-confederacy,” “mental health,” or “parental abuse,” yet every student and teacher at that school lived in a world shaped by those words.”
Kiese Laymon, Heavy
“The nation as it is currently constituted has never dealt with a yesterday or tomorrow where we were radically honest, generous, and tender with each other.”
Kiese Laymon, Heavy
“Our superpower, I was told since I was a child, was perseverance, the ability to survive no matter how much they took from us. I never understood how surviving was our collective superpower when white folk made sure so many of us didn't survive. And those of us who did survive practiced bending so much that breaking seemed inevitable.”
Kiese Laymon, Heavy
“This summer, it took one final conversation with Grandmama for me to understand that no one in our family and very few folk in this nation has any desire to reckon with the weight of where we've been. Which means no one in our family and very few folk in this nation wants to be free.”
Kiese Laymon, Heavy
“People always say change takes time. It's true, but really it's people who change people, and then those people have to decide if they really want to stay the new people that they're changed into.”
Kiese Laymon, Long Division
“We black Southerners, through life, love, and labor, are the generators and architects of American music, narrative, language, capital, and morality. That belongs to us. Take away all those stolen West African girls and boys forced to find an oral culture to express, resist, and signify in the South, and we have no rich American idiom.”
Kiese Laymon, How to Slowly Kill Yourself and Others in America
“I lie in a bathtub of cold water, still sweating and singing love songs to myself. I put the gun to my head and cock it.

I think of my Grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I'm so sad and I can't really see a way out of what I'm feeling but I'm leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I'm already hurting. I'm not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America.”
Kiese Laymon, How to Slowly Kill Yourself and Others in America
“Ain’t nothing in the world worse than looking at your children drowning, knowing ain’t nothing you can do because scared that if you get to trying to save them, they might see that you can swim either.”
Kiese Laymon , Heavy
“For a few seconds, I remembered that the most abusive parts of our nation obsessively neglect yesterday while peddling in possibility. I remembered that we got here by refusing to honestly remember together. I remember that it was easier to promise than it was to reckon or change.”
Kiese Laymon, Heavy
“It ain’t about making white folk feel what you feel,” she said. “It’s about not feeling what they want you to feel. Do you hear me? You better know from whence you came and forget about those folk.”
Kiese Laymon, Heavy
“I will not misdirect or manipulate human beings...especially those human beings who love me enough to risk being misdirected or manipulated. I will not misdirect or manipulate myself...I will not say I am sorry when I am resentful. I will not give my blessings away. I will love myself enough to be honest when I fail at loving.”
Kiese Laymon, Heavy
“The man of courage is not the man who did not face adversity. The man of courage is the man who faced adversity and spoke to it. The man of courage tells adversity, "You're trespassing and I give you no authority to steal my joy, my faith or my hope.”
Kiese Laymon, How to Slowly Kill Yourself and Others in America
“And it only existed on Cosby’s show because Bill Cosby seemed obsessed with how white folk watched black folk watch us watch him.”
Kiese Laymon, Heavy
“Your heart was good but you forgot to guard it. You killed yourself slowly because of this. The heart is the true measure of a man or woman. I loved you and I know that you knew I loved you. We all have addictions. Some are just more obvious to the eye. We are all dying, but we are all living.”
Kiese Laymon, How to Slowly Kill Yourself and Others in America
“We all broken, I said. Some broken folk do whatever they can not to break other folk. If we're gone be broken, I wonder if we can be those kind of broken folk from now on. I think it's possible to be broken and ask for help without breaking other people.”
Kiese Laymon, Heavy
“You took my paper smudged with tears and you read it out loud. You told me what worked in the essay, and what didn’t work. You asked me questions about word choice, pacing, and something you called political symbolism. You asked me what I was really trying to say with the essay and suggested I start with saying exactly that. You challenged me to use the rest of the essay to discover ideas and questions I didn’t already know and feel. “A good question anchored in real curiosity is much more important than a cliché or forced metaphor,” you told me.”
Kiese Laymon, Heavy
“But the problem is you hurting yourself by trying to let folk know they hurt you.”
Kiese Laymon, Heavy
“If white American entitlement meant anything, it meant that no matter how patronizing, unashamed, deliberate, unintentional, poor, rich, rural, urban, ignorant, and destructive white Americans could be, black Americans were still encouraged to work for them, write to them, listen to them, talk with them, run from them, emulate them, teach them, dodge them, and ultimately thank them for not being as fucked up as they could be.”
Kiese Laymon, How to Slowly Kill Yourself and Others in America
“Even when I know you're lying to me, I just feel crazy sorry for you.
Why?
Because I can just tell you'll never let me carry what you're hiding.”
Kiese Laymon, Heavy
tags: truth
“I would learn fifteen years too late that asking for consent, granting consent, surviving sexual violence, being called a good dude, and never initiating sexual relationships did not incubate me from being emotionally abusive. Consent meant little to nothing if it was not fully informed. What, and to whom, were my partners consenting if I spent our entire relationship convincing them that a circle was not a circle but just a really relaxed square? I’d become good at losing weight and great at convincing women they didn’t see or know what they absolutely saw and knew. Lying there on that floor, I accepted that I’d actually never been honest with myself about what carrying decades of lies did to other people’s hearts and heads.”
Kiese Laymon, Heavy

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