J.M.G. Le Clézio > Quotes

“If you really want to know, I’d rather not have been born at all. I find life very tiring. The thing’s done now, of course, and I can’t alter it. But there will always be this regret at the back of my mind, I shall never quite be able to get rid of it, and it will spoil everything. The thing to do now is to grow old quickly, to eat up the years as fast as possible, looking neither right nor left.”
― Jean-Marie Gustave Le Clézio, Fever

“Nights are long when it's cold and you're waiting for a train.”
― Jean-Marie Gustave Le Clézio, Wandering Star

“Real lives have no end. Real books have no end.”
― J.M.G. Le Clézio, The Book of Flights

“My message will be very clear; it is that I think we have to continue to read novels. Because I think that the novel is a very good means to question the current world without having an answer that is too schematic, too automatic. The novelist, he’s not a philosopher, not a technician of spoken language. He’s someone who writes, above all, and through the novel asks questions.”
― Jean-Marie G. Le Clezio

“Now I know that without mirrors we are different, we're not really the same...Maybe they had noticed us looking worriedly at other people's faces, as if we wee trying to see in them what we had become”
― Le Clezio J M G

“Maintenant, je le sais bien. On ne partage pas les rêves.”
― Le Clézio

“Thinking! Thinking! The process should no longer be merely this feeble flurry of hailstones that raises a little dust. It should be something quite different. Thinking should be a terrifying process. When the earth thinks, whole towns crumble to the ground and thousands of people die.
Thinking: raising boulders, hollowing out valleys, preparing tidal waves at sea. Thinking like a town: that's to say: eight million inhabitants, twelve million rats, nine million pints of carbon dioxide, two billion tons. Grey light. Cathedral of light. Din. Sudden flashes. Low-lying blanket of black cloud. Flat roofs. Fire alarms. Elevators. Streets. Eighteen thousand miles of streets. 145 million electric light bulbs.”
― J.M.G. Le Clézio, The Book of Flights

“Horror is not unimaginable, it has neither the face of a monster nor the bat-wings of a demon. It is calm and tranquil, and it is durable, lasting whole days and nights, months; years, perhaps. It is not mortal. It strikes at the eyes, only the eyes.”
― J.M.G. Le Clézio, The Book of Flights

“It is, I believe, the primary charm of poetry to give the lesson of mirage, that is, to show the fragile and vibrant movement of creation, in which the word is in a certain way human quintessence, prayer.”
― Jean-Marie Gustave Le Clézio, The Mexican Dream, or The Interrupted Thought of Amerindian Civilizations

“She carried the burn of the sun on her body. It was for all of those wasted, dull years.”
― Le Clezio J M G

“Most people don't know how to ask the right questions. Mondo knew how to ask questions, just at the right time, when you weren't expecting it. People paused for a few seconds, they stopped thinking about themselves and their own business, they thought, and their eyes seemed to blur, because they remembered asking those questions themselves, long ago.”
― J.M.G. Le Clézio, Mondo et autres histoires

“They were the men and the women of the sand, of the wind, of the light, of the night. They appeared as in a dream, at the crest of a dune, as if they were born of the cloudless sky.”
― J.M.G. Le Clézio

“It was as if there were no names here, as if there were no words. The desert cleansed everything in its wind, wiped everything away. The men had the freedom of the open spaces in their eyes, their skin was like metal. Sunlight blazed everywhere. The ochre, yellow, gray, white sand, the fine sand shifted, showing the direction of the wind. It covered all traces, all bones. It repelled light, drove away water, life, far from a center that no one could recognize. The men knew perfectly well that the desert wanted nothing to do with them: so they walked on without stopping, following the paths that other feet had already traveled in search of something else.”
― Jean-Marie Gustave Le Clézio, Desert

“Out there, in the open desert, men can walk for days without passing a single house, seeing a well, for the desert is so vast that no one can know it all. Men go out into the desert, and they are like ships at sea; no one knows when they will return. Sometimes there are storms, but nothing like here, terrible storms, and the wind tears up the sand and throws it high into the sky, and the men are lost. They die, drowned in the sand, they die lost like ships in a storm, and the sand retains their bodies. Everything is so different in that land; the sun isn't the same as it is here, it burns hotter, and there are men that come back blinded, their faces burned. Nights, the cold makes men who are lost scream out in pain, the cold breaks their bones. Even the men aren't the same as they are here...they are cruel, they stalk their pray like foxes, drawing silently near. They are black, like the Hartani, dressed in blue, faces veiled. They aren't men, but djinns, children of the devil, and they deal with the devil; they are like sorcerers... ”
― j.m.g. le clezio, Desert - 1st UK Edition/1st Printing

“Comment oublier le monde? Peut-on chercher le bonheur quand tout parle de destruction? Le monde est jaloux, il vient vous prendre, il vient vous retrouver là où vous êtes, au fond d'un ravin, il fait entendre sa rumeur de peur et de haine, il mêle sa violence à tout ce qui vous entoure, il transforme la lumière, la mer, le vent, même les cris des oiseaux. Le monde est dans votre coeur alors, sa douleur vous réveille de votre rêve et vous découvrez que la terre même où vous avez voulu créer votre royaume vous expulse et vous jette à la mer.”
― Le Clézio

“La nuit, tout sent bon", disait Mondo.
"C'est parce qu'on ne voit pas", disait Thi Chin.
"on sent mieux, et on entend mieux quand on ne voit pas".”
― J.M.G. Le Clézio, Mondo et autres histoires

“From that imbalance rose the tragic results of the coming together of two worlds. It was the extermination of an ancient dream by the frenzy of a modern one, the destruction of myths by a desire for power. It was gold, modern weapons, and rational thought pitted against magic and gods: the outcome could not have been otherwise.”
― Jean-Marie Gustave Le Clézio, The Mexican Dream, or The Interrupted Thought of Amerindian Civilizations

“He who writes books that aim to convince is a comedian, too, just a comedian. What has he got to offer others, apart from chains, still more chains? Fiction never liberated anyone. No one ever brought anything back from voyages through dream worlds.”
― J.M.G. Le Clézio, The Book of Flights

“Each time a drop of water forms under the spout of a tap, it means that one can wrench something away from the nameless mass.”
― J.M.G. Le Clézio, War

“Notre siècle n'est plus un siècle à trésors. C'est un siècle de consumation et de fuite, un temps de fièvre et d'oubli.”
― Le Clézio

“The earth is neither fabulous nor paradisal. And therefore it is not hell.”
― J.M.G. Le Clézio, The Book of Flights

“From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.”
― J.M.G. Le Clézio, Mondo et autres histoires

“Maybe it was Roumiya's beauty that drove me away, her silent beauty, her eyes that seemed to be looking through everythig and draining it of all meaning.”
― Le Clezio J M G

“I had never felt like that before, as if there were a sort of curse, a merciless force in the light that shone on a world where life is borken and lost, where each new day takes something from the day that precedes it, where suffering is inmovable...”
― Le Clezio J M G

“There is no such thing as self-awareness. Imagine thought retreating into itself to think about itself. It would be easier to imagine a revolver bullet extracting itself from its victim's wound and re-entering the barrel. Yes, it would be easier to imagine the universe's explosion suddenly halting its outflow of energy, so that the galaxies congeal once more, and the millions of light-years of their flight through space are immediately annulled.”
― J.M.G. Le Clézio, The Book of Flights

“I thought that to get to know a desert it was enough to have been there. I thought that to have seen the dogs dying along the Cholula road, or to have seen the eyes of the lepers at Chiengmai gave me the right to talk about it. To have seen! To have been there! Rubbish! The world is not a book, it proves nothing. The spaces one has crossed were dark corridors with closed doors. The faces of the women to whom one gave oneself up completely: did they speak for anyone but themselves? The cities of man are secret. One walks along their streets, one sees them shine under one's feet, but one is not there, one never enters them. The dusty fields inhabited by people who are hungry, who wait patiently, are paradises of luxury and nourishment; shining at a vast distance from intelligence, at a vast distance from reason. They are not to be subjugated.”
― J.M.G. Le Clézio, The Book of Flights

“In their purest form myths, not unlike tragedy, are perhaps the most important moment in the troubled history of Mexican civilization. The cement of dreams, the architecture of language, made of images and rhythms which respond to and harmonize with each other through time and space, their wisdom is not of that which can be measured on the scale of the everyday. They are concurrently religion, ritual, belief, phantasmagoria, and the primary affirmation of a human coherence, the coagulating strength of language against the anguish of death and the certainty of nothingness. Myths express life, despite the promise of destruction, of the weight of the inevitable. They are without any doubt the most durable monuments of men, in America as in the ancient world.”
― Jean-Marie Gustave Le Clézio, The Mexican Dream, or The Interrupted Thought of Amerindian Civilizations

“Si vous voulez vraiment le savoir, j'aurais préféré ne jamais être né. La vie, je trouve ca bien fatigant. Bien sur, à présent la chose est faite, et je ne peux rien y changer. Mais il y a toujours au fond de moi ce regret, que je n'ariverai pas à chasser complètement, et qui gâchera tout. Maintenant, il s'agit de vieillir vite, d'avaler les années le plus vite possible, sans regarder à gauche ni à droit”
― Jean-Marie Gustave Le Clézio , Fever

“[W]hat is one to say of the writer who lies when he writes that he is lying?”
― J.M.G. Le Clézio, The Book of Flights

“I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them.
When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement.
When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower.
One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.”
― J.M.G. Le Clézio, The Book of Flights