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“I am carrying the whimper
you can hear when the mouth is collapsed, the wisdom
of monkeys. Ask a glass of water why it pities
the rain. Ask the lunatic yard dog why it tolerates the leash.
Brothers and sisters, when you spend your nights
out on a limb, there’s a chance you’ll fall in your sleep.”
― Lighthead
you can hear when the mouth is collapsed, the wisdom
of monkeys. Ask a glass of water why it pities
the rain. Ask the lunatic yard dog why it tolerates the leash.
Brothers and sisters, when you spend your nights
out on a limb, there’s a chance you’ll fall in your sleep.”
― Lighthead
“Trouble is one of the ways we discover the complexities Of the soul.”
― How to Be Drawn
― How to Be Drawn
“Look, the world is everywhere: satellites, end tables, the pink and white poinsettias outside the church; reunions and degrees. All those radiant asterisks . . . Soon it will all make sense.”
― Wind in a Box
― Wind in a Box
“This is what it means to believe in ascension and fear climbing.”
―
―
“When the wound is deep, the healing is heroic. Suffering and ascendance require the same work.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“You will never assassinate my ghosts.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“It's not the bad people who are brave I fear, it's the good people who are afraid.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“It might be the white woman or man our son or daughter will marry and the white woman or man our grandson or granddaughter will marry, all of them wading into the future until one of our line claims to be Sicilian. Leave instructions: the granddaughter of our granddaughter shall be named Cicily.”
― Wind in a Box
― Wind in a Box
“I wish I could weep the way my teacher did as he read us Molly Bloom’s soliloquy of yes.”
― Lighthead
― Lighthead
“If you and every person in the county mailed
me an envelope of five to ten dollars, I think
I could rehabilitate the sheep.”
― Lighthead
me an envelope of five to ten dollars, I think
I could rehabilitate the sheep.”
― Lighthead
“I'm a time lord. My armor is flesh and spirit. I carry a flag bearing a different nation on each side. I carry money bearing the face of my assassins.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“Give the world half of what Nina Simone gave it, and you have lived an exceptional life.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“My mother was a dark red head wrap. Her life had been heavier than the fire she carried on her back. This is the meaning of the past, Boy. There were maps & scriptures carved into my palms, whole towns”
― Hip Logic
― Hip Logic
“Can you remember the womb? How, in the moments before birth, The lines were washed from the map That told the route you’d come?”
― Hip Logic
― Hip Logic
“WILLIAM H. JOHNSON —a letter home, circa 1933 Forgive this letter covered in paint. There are no rags around me. I cannot tell you where I am, but where I ain’t. I am not where the color of my skin taints Everything. Remember the way folks looked at me When I walked through Florence covered in paint? There, I was less than nothing. I took a train To Harlem; a ship to Denmark to be free. I can only tell you that here, I ain’t Who I used to be. I am a Negro who has lain With a white woman in a foreign country. Momma, forgive this letter covered in paint. I ain’t coming back. Here, no one complains When Holcha & I kiss in the street. Color doesn’t tells us what we are & what we ain’t Never going to be. I have left my name On the walls of a dozen museums & galleries. I have covered my face in paint. I cannot tell you who I am, but who I ain’t.”
― Hip Logic
― Hip Logic
“Sometimes the father almost sees looking at the son, how handsome he'd be if half his own face was made of the woman he loved”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“Assassin, you are a mystery / To me, I say to my reflection sometimes”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“It’s better
plus less stressful to think the best of people.”
―
plus less stressful to think the best of people.”
―
“Wind in a Box"
—after Lorca
I want to always sleep beneath a bright red blanket
of leaves. I want to never wear a coat of ice.
I want to learn to walk without blinking.
I want to outlive the turtle and the turtle’s father,
the stone. I want a mouth full of permissions
and a pink glistening bud. If the wildflower and ant hill
can return after sleeping each season, I want to walk
out of this house wearing nothing but wind.
I want to greet you, I want to wait for the bus with you
weighing less than a chill. I want to fight off the bolts
of gray lighting the alcoves and winding paths
of your hair. I want to fight off the damp nudgings
of snow. I want to fight off the wind.
I want to be the wind and I want to fight off the wind
with its sagging banner of isolation, its swinging
screen doors, its gilded boxes, and neatly folded pamphlets
of noise. I want to fight off the dull straight lines
of two by fours and endings, your disapprovals,
your doubts and regulations, your carbon copies.
If the locust can abandon its suit,
I want a brand new name. I want the pepper’s fury
and the salt’s tenderness. I want the virtue
of the evening rain, but not its gossip.
I want the moon’s intuition, but not its questions.
I want the malice of nothing on earth. I want to enter
every room in a strange electrified city
and find you there. I want your lips around the bell of flesh
at the bottom of my ear. I want to be the mirror,
but not the nightstand. I do not want to be the light switch.
I do not want to be the yellow photograph
or book of poems. When I leave this body, Woman,
I want to be pure flame. I want to be your song.
Terrance Hayes, Wind in a Box (Penguin, 2006)
When I leave this body, Woman,
I want to be pure flame. I want to be your song”
― Wind in a Box
—after Lorca
I want to always sleep beneath a bright red blanket
of leaves. I want to never wear a coat of ice.
I want to learn to walk without blinking.
I want to outlive the turtle and the turtle’s father,
the stone. I want a mouth full of permissions
and a pink glistening bud. If the wildflower and ant hill
can return after sleeping each season, I want to walk
out of this house wearing nothing but wind.
I want to greet you, I want to wait for the bus with you
weighing less than a chill. I want to fight off the bolts
of gray lighting the alcoves and winding paths
of your hair. I want to fight off the damp nudgings
of snow. I want to fight off the wind.
I want to be the wind and I want to fight off the wind
with its sagging banner of isolation, its swinging
screen doors, its gilded boxes, and neatly folded pamphlets
of noise. I want to fight off the dull straight lines
of two by fours and endings, your disapprovals,
your doubts and regulations, your carbon copies.
If the locust can abandon its suit,
I want a brand new name. I want the pepper’s fury
and the salt’s tenderness. I want the virtue
of the evening rain, but not its gossip.
I want the moon’s intuition, but not its questions.
I want the malice of nothing on earth. I want to enter
every room in a strange electrified city
and find you there. I want your lips around the bell of flesh
at the bottom of my ear. I want to be the mirror,
but not the nightstand. I do not want to be the light switch.
I do not want to be the yellow photograph
or book of poems. When I leave this body, Woman,
I want to be pure flame. I want to be your song.
Terrance Hayes, Wind in a Box (Penguin, 2006)
When I leave this body, Woman,
I want to be pure flame. I want to be your song”
― Wind in a Box
“I remember my sister’s last hoorah.
She joined all the black people I’m tired of losing,
All the dead from parts of Florida, Ferguson,
Brooklyn, Charleston, Cleveland, Chicago,
Baltimore, wherever the names alive are
Like the names in graves. I am someone
With a good memory & better imagination.”
― American Sonnets for My Past and Future Assassin
She joined all the black people I’m tired of losing,
All the dead from parts of Florida, Ferguson,
Brooklyn, Charleston, Cleveland, Chicago,
Baltimore, wherever the names alive are
Like the names in graves. I am someone
With a good memory & better imagination.”
― American Sonnets for My Past and Future Assassin
“Thus, I am here where poets come to drink a dark strong poison with tiny shards of ice, something to loosen my primate tongue and its syllables
of debris. I know all words come from preexisting words and divide until our pronouncements develop selves.”
― Lighthead
of debris. I know all words come from preexisting words and divide until our pronouncements develop selves.”
― Lighthead
“If you think a hammer is the only way to hammer / A nail, you ain't thought of the nail correctly.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“No one
Mentions Jesus' sister. Nothing is written
About her. She had no children, she was in her
Forties the first time she turned water into wine.”
― American Sonnets for My Past and Future Assassin
Mentions Jesus' sister. Nothing is written
About her. She had no children, she was in her
Forties the first time she turned water into wine.”
― American Sonnets for My Past and Future Assassin
“(A certain nobility is implicit in saying what I don't believe and hoping you believe it.)”
―
―
“Even the most kindhearted white woman,
Dragging herself through traffic with her nails
On the wheel & her head in a chamber of black
Modern American music may begin, almost
Carelessly, to breathe n-words. Yes, even the most
Bespectacled hallucination cruising the lanes
Of America may find her tongue curls inward,
Entangling her windpipe, her vents, toes & pedals
When she drives alone. Even the most made up
Layers of persona in a two- or four-door vehicle
Sealed in a fountain of bass & black boys
Chanting n-words may begin to chant inwardly
Softly before she can catch herself. Of course,
After that, what is inward, is absorbed.”
― American Sonnets for My Past and Future Assassin
Dragging herself through traffic with her nails
On the wheel & her head in a chamber of black
Modern American music may begin, almost
Carelessly, to breathe n-words. Yes, even the most
Bespectacled hallucination cruising the lanes
Of America may find her tongue curls inward,
Entangling her windpipe, her vents, toes & pedals
When she drives alone. Even the most made up
Layers of persona in a two- or four-door vehicle
Sealed in a fountain of bass & black boys
Chanting n-words may begin to chant inwardly
Softly before she can catch herself. Of course,
After that, what is inward, is absorbed.”
― American Sonnets for My Past and Future Assassin
“Our sermon today concerns the dialectic Blessings in transgression & transcendence.”
― American Sonnets for My Past and Future Assassin
― American Sonnets for My Past and Future Assassin
“Probably all our encounters are existential
Jambalaya. Which is to say, can a nigga survive?”
― American Sonnets for My Past and Future Assassin
Jambalaya. Which is to say, can a nigga survive?”
― American Sonnets for My Past and Future Assassin
“My hunch is that Sylvia Plath was not
Especially fun company. A drama queen, thin-skinned,
And skittery, she thought her poems were ordinary.”
― American Sonnets for My Past and Future Assassin
Especially fun company. A drama queen, thin-skinned,
And skittery, she thought her poems were ordinary.”
― American Sonnets for My Past and Future Assassin




