Alan Shayne
Goodreads Author
Born
The United States
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August 2011
URL
https://www.goodreads.com/alanshayne
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Double Life: A Love Story from Broadway to Hollywood
by
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published
2010
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16 editions
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The Rain May Pass
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The Star Dressing Room: Portrait of an Actor
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Finding Sylvia
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The Minstrel Tree
by
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published
2001
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2 editions
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Work Book: A Chronology of Historical Events Eighteen Billion BC to the Present
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published
2011
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3 editions
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“In the 1970s, when Norman Sunshine won an Emmy for the graphics and title design he had created for one of Alan Shayne’s television productions, “Alan and I agreed it was not a good idea for us to be seen together at an industry event,” he remembers. “Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it… 'Better to be seen with a woman,’ we were advised by a very trusted friend, ‘Makes everyone more comfortable.”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
“Upon their meeting in New York in 1958: “We didn’t want to live together. We didn’t have any examples of what a good love relationship between two men could be. And there was always the problem of hiding so no one would know we were gay. There was no question that if I were known to be gay, living with another man, it would make it more difficult for me to get work as an actor.” - Alan Shayne, co-author, Double Life”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
“As an artist in the 1960s, Norman Sunshine was able to maintain a moderately out lifestyle. But when the first exhibition of his paintings in New York brought on a profile in The New York Times in 1968, he was photographed in the apartment that he admitted sharing with Shayne. At both his advertising agency and Shayne’s television production company, the article was met with absolute silence.”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
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“We both grew up at a time when homosexuality was not even spoken about. There were certainly no books that could help a young person understand that two people of the same sex could build a happy, productive and loving life together. When we entered our 50th year, another same sex couple told us we were ‘an inspiration’, so we began to feel we had the responsibility to make what we’ve experienced available to others. We also wanted to show people who were not gay that our life was not unlike theirs. We are all pretty much the same, so we deserve equal protection under the Constitution.”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
“Upon their meeting in New York in 1958: “We didn’t want to live together. We didn’t have any examples of what a good love relationship between two men could be. And there was always the problem of hiding so no one would know we were gay. There was no question that if I were known to be gay, living with another man, it would make it more difficult for me to get work as an actor.” - Alan Shayne, co-author, Double Life”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
“As an artist in the 1960s, Norman Sunshine was able to maintain a moderately out lifestyle. But when the first exhibition of his paintings in New York brought on a profile in The New York Times in 1968, he was photographed in the apartment that he admitted sharing with Shayne. At both his advertising agency and Shayne’s television production company, the article was met with absolute silence.”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
“In the 1970s, when Norman Sunshine won an Emmy for the graphics and title design he had created for one of Alan Shayne’s television productions, “Alan and I agreed it was not a good idea for us to be seen together at an industry event,” he remembers. “Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it… 'Better to be seen with a woman,’ we were advised by a very trusted friend, ‘Makes everyone more comfortable.”
― Double Life: The Story of a Fifty Year Marriage
― Double Life: The Story of a Fifty Year Marriage
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message 4:
by
Leaundra
Aug 25, 2011 12:18PM
Oye! Alan, thanks for the add. Take care...Leaundra
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"Your book is a page turner because you both led such adventurous and successful lives in the worlds of art and entertainment, ostensibly different areas which are inherently fascinating and which feed each other more than we think. The dark moments are dealt with as frankly as the brighter turns."The measure of depth is the consistently strong melody of the love story which plays underneath almost every incident, and provides the various pressures, cultural and otherwise, which challenge survival.
"The title is right, the length is right, and as the story of two exceptionally talented people, the book's excellence stands as proof that their talent and successes, illuminated by their love for each other, are justified and deserved."
--A.R. Gurney
"Anyone living in a long term relationship, gay or straight, will find him/herself in the pages Alan Shayne and Norman Sunshine have written. They know what it's like to be together for a long time and they tell it like it is, with wit, courage, honesty and tenderness. From Broadway to the East Village to Madison Avenue to Hollywood they have tales to tell and they tell them brilliantly. I loved this book!"--Alfred Uhry
"A life well lived does not always make a book well written, but here, in this truthful and affecting work, are two carefully maintained lives without a mortgage, paired by fate and synchronized from two points of view like a pair of mated butterflies--weathering storms, loving and enduring joy and danger and triumph and loss together with wit, dignity, intelligence and grace. Reading about their lives has taught me a lot about my own--what I did or did not do, and how I can do it better. Nothing careless or dishonest in the structure--just one riveting, wisely observed revelation after another by two extraordinary men with a lot to give, to each other and to those of us lucky enough to share. When I grow up, I want to be just like Alan Shayne and Norman Sunshine." --Rex Reed



































