Laura Smith
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One of the easiest ways to achieve your 2019 Goodreads Reading Challenge goals is to read books you can't put down. To help, we gave...
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“I began writing about a woman who disappears. Not Barbara, but a fictional woman. She was a botanist who had vanished, perhaps deliberately, in the Burmese jungle in search of a rare, psychedelic mushroom. I wrote about her because, of course, I wanted to disappear. Often those who write about women who have vanished are men with an impulse to eviscerate women, or women with an impulse to eviscerate themselves. I was interested in a different kind of vanishing: the kind where you disentangle yourself from your life and start fresh. People would miss you. You could miss them. You could live at a peaceful distance, loving them in a way that is simpler than the way you love someone you have to deal with in everyday life. You hadn't abandoned them. You were just gone. Mysterious rather than rejecting. Vanishing was a way to reclaim your life.”
― The Art of Vanishing: A Memoir of Wanderlust
― The Art of Vanishing: A Memoir of Wanderlust
“Back then the Appalachian Trail was barely a trail at all—it consisted of over 2,000 miles of mostly unmarked wilderness from Mount Katahdin in Maine to Mount Oglethorpe in Georgia. A man named Benton MacKaye had proposed its creation in the early 1920s. He had utopian visions about a place that could “transcend the economic scramble” and be a balm on the American psyche after World War I. He thought the trail could lift people out of the drudgery of modern life. Government workers needed a relaxing place to recuperate, he wrote in his proposal. Housewives, he said, could use the trail’s rejuvenating powers too. They could come during their leisure time. It could even be a cure for mental illness, whose sufferers “need acres not medicine.” Civilization was weakening, he said. Americans needed a path forward. The Appalachian Trail was the solution. There was still so much undeveloped land in the United States. The West had Yosemite and Yellowstone, and many more national parks, but the East Coast was the most populous part of the country, and the people who lived there should have something to rival the western parks. National parks already dotted the East Coast’s landscape, but what if they could be united? MacKaye imagined what Americans would see as they strode the length of the trail: the “Northwoods” pointed firs on Mount Washington, the placid, pine-rimmed lakes of the Adirondacks. They would cross the Delaware Water Gap, the Potomac, and Harpers Ferry. They could follow Daniel Boone’s footsteps through southern Appalachia to the hardwood forests of North Carolina and end at Springer Mountain in Georgia. They would know their country. Barbara was swept up by”
― The Art of Vanishing: A Memoir of Wanderlust
― The Art of Vanishing: A Memoir of Wanderlust
“As she was putting the finishing touches on The House Without Windows, she wrote of her yearning for a wilder life: “I want as long as possible in that green, fairylike, woodsy, animal-filled, watery, luxuriant, butterfly-painted, moth-dotted, dragonfly-blotched, bird-filled, salamandrous, mossy, ferny, sunshiny, moonshiny, long-dayful, short-nightful land, on that fishy, froggy, tadpoly, shelly, lizard-filled lake—[oh,] no end of the lovely things to say about that place, and I am mad to get there.” Barbara is the girl inside the house, rattling at her cage, demanding to be set free. Go outside, she is saying. Embrace the world in all its frightening, joyful, sun-filled complexity.”
― The Art of Vanishing: A Memoir of Wanderlust
― The Art of Vanishing: A Memoir of Wanderlust
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