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Ana Maria Bahiana

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Ana Maria Bahiana

Goodreads Author


Born
Rio de Janeiro, Brazil
Influences
Tons of stuff from movies,magazines, records. Plus: Machado de Assis, ...more

Member Since
February 2008

URL


Born in Rio de Janeiro in a French-Portuguese family Ana Maria was raised multi-lingual and multi-cultural. A writer, journalist and filmmaker, she has journeyed to Great Britain, France, Japan, Italy, Jamaica, Mexico, Australia, Argentina, Uruguay, Switzerland, Germany and Hungary and all over the countries of her birth – Brazil – and choice – the United States, where she lived in Los Angeles for two decades.

The author of six books – including one of Brazil’s 2006 best sellers, The Seventies Almanac – Ana Maria has written for, among others, the New York Times Syndicate, Escape and Beat, Australia’s The Bulletin, France’s Le Film Français and the UK’s Screen International, of which she was West Coast Bureau Chief for five years. Besides c
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Average rating: 3.66 · 482 ratings · 52 reviews · 14 distinct worksSimilar authors
Como ver um Filme

3.50 avg rating — 148 ratings — published 2012 — 4 editions
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Almanaque Anos 70

really liked it 4.00 avg rating — 20 ratings — published 2006 — 3 editions
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Almanaque 1964: Fatos, Hist...

3.50 avg rating — 10 ratings — published 2014 — 2 editions
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Nada Será Como Antes

3.75 avg rating — 8 ratings — published 1980 — 4 editions
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A Luz da Lente

4.60 avg rating — 5 ratings — published 1997 — 2 editions
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Jimi Hendrix: Domador de Raios

4.25 avg rating — 4 ratings — published 1981 — 2 editions
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América de A a Z

really liked it 4.00 avg rating — 1 rating
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Caixa de Memórias

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liked it 3.00 avg rating — 1 rating
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Anos 70: Ainda Sob a Tempes...

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0.00 avg rating — 0 ratings — published 2006
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A luz da lente

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More books by Ana Maria Bahiana…
The Complete Pers...
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bookshelves: currently-reading
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Summoning the Fat...
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Ana Maria Ana Maria said: " Absolutely brilliant! "

 
Quotes by Ana Maria Bahiana  (?)
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“O filme é criado, do começo ao fim, para conversar com você. Essa conversa pode ser uma sedução, uma piada, uma provocação, uma discussão, um berro, um abraço, um desafio, uma agressão, um enigma. O espectador deve poder escolher ser seduzido ou não, rir ou não, revidar, retrucar, se fechar, chorar, recordar, raciocinar. Este é o sentido do filme. A obra que não conversa com você não presta — esta é a regra mais simples para apreciar de verdade o trabalho de dezenas, centenas de pessoas que passam meses, às vezes anos, planejando e realizando projetos cinematográficos.”
Ana Maria Bahiana, Como ver um Filme

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