Alison Armstrong
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in Ann Arbor, MI, The United States
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September 2009
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“What is this thing called life? I believe
That the earth and the stars too, and the whole glittering universe, and rocks on the mountains have life, Only we do not call it so--I speak of the life That oxidizes fats and proteins and carbo- Hydrates to live on, and from that chemical energy Makes pleasure and pain, wonder, love, adoration, hatred and terror: how do these things grow From a chemical reaction? I think they were here already, I think the rocks And the earth and the other planets, and the stars and the galaxies have their various consciousness, all things are conscious; But the nerves of an animal, the nerves and brain Bring it to focus; the nerves and brain are like a burning-glass To concentrate the heat and make it catch fire: It seems to us martyrs hotter than the blazing hearth From which it came. So we scream and laugh, clamorous animals Born howling to die groaning: the old stones in the dooryard Prefer silence; but those and all things have their own awareness, As the cells of a man ...more Robinson Jeffers |
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The book Nature Triumphs: A Charity Anthology of Dark Speculative Literatu should be linked to me, Alison Armstrong, author of Revenance, Toxicosis, D
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Alison Armstrong
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Mark's review
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Nature Triumphs: A Charity Anthology of Dark Speculative Literature:
"A great collection of short stories. Interesting and enjoyable."
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Alison Armstrong
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Sacha Rosel's review
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Nature Triumphs: A Charity Anthology of Dark Speculative Literature:
"As an anthology, Nature Triumphs stems from the editors and publisher’s growing concerns about the future of life on Earth. Most of all, our responsibility as a species in disrupting and ultimately destroying the planet is the basic preassumption of "
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Review of A Dark Muse: A History of the Occult by Gary Lachman: In our increasingly materialistic time, when art, literature, and music have become commodities, while the earth is plundered for profit, we often disregard the inner world of the imagina ...more |
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“From the moment of my birth, the angels of anxiety, worry, and death stood at my side, followed me out when I played, followed me in the sun of springtime and in the glories of summer. They stood at my side in the evening when I closed my eyes, and intimidated me with death, hell, and eternal damnation. And I would often wake up at night and stare widely into the room: Am I in Hell?”
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“My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings.”
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“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”
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“I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.”
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“The white cat symbolizes the silvery moon prying into corners and cleansing the sky for the day to follow. The white cat is "the cleaner" or "the animal that cleans itself," described by the Sanskrit word Margaras, which means "the hunter who follows the track; the investigator; the skip tracer." The white cat is the hunter and the killer, his path lighted by the silvery moon. All dark, hidden places and beings are revealed in that inexorably gentle light. You can't shake your white cat because your white cat is you. You can't hide from your white cat because your white cat hides with you.”
― The Cat Inside
― The Cat Inside
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