Jodie Archer
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“Back in the spring of 2010, Stieg Larsson’s agent was having a good day.”
― The Bestseller Code: Anatomy of the Blockbuster Novel
― The Bestseller Code: Anatomy of the Blockbuster Novel
“They insisted that the pleasure of reading is not necessarily just about providing pleasure to the mind, but to the heart, the emotions, the body and – for those who believe in these things- the soul. The problem is that this kind of appreciation of literature has been shrouded in embarrassment and shame for a long time”
― The Bestseller Code: Anatomy of a Blockbuster Novel
― The Bestseller Code: Anatomy of a Blockbuster Novel
“We investigated this a little further, and found an interesting pattern across all our bestselling books, beyond just Steel and Grisham. It turns out that successful authors consistently give that sweet spot of 30 percent to just one or two topics, whereas non-bestselling writers try to squeeze in more ideas. To reach a third of the book, a lesser-selling author uses at least three and often more topics. To get to 40 percent of the average novel, a bestseller uses only four topics. A non-bestseller, on average, uses six. While this may sound like a lot of numbers, the effect on your reading experience and the cohesion of a satisfying narrative is quite significant. Telling the heart of a story with fewer topics implies focus. It implies lack of unneeded subplots. It implies a more organized and precise writerly mind. It implies experience. We tested this finding with two of our friends—an agent and a novelist. Both told us that they had, through a series of painful rejections from publishing houses, come to the theory that new writers start out too ambitious. They”
― The Bestseller Code: Anatomy of the Blockbuster Novel
― The Bestseller Code: Anatomy of the Blockbuster Novel
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