Jonathan  Walker

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Jonathan Walker

Goodreads Author


Website

Twitter

Influences
Ray Bradbury, A.S. Byatt, Jeanette Winterson, Natalie Zemon Davis

Member Since
November 2014


Jonathan Walker is the author of Pistols! Treason! Murder!: The rise and Fall of a Master Spy, and three novels: Five Wounds, The Angels of L19 and Push Process. He also makes photo zines, and has published a number of academic articles on the history of Venice. He has doctorates in European history and creative writing. On Bluesky and Instagram, his username is @NewishPuritan.

Average rating: 3.75 · 129 ratings · 37 reviews · 5 distinct worksSimilar authors
The Angels of L19

3.81 avg rating — 58 ratings2 editions
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Push Process

4.13 avg rating — 24 ratings2 editions
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Five Wounds: An Illuminated...

3.43 avg rating — 28 ratings — published 2010 — 7 editions
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Pistols! Treason! Murder!: ...

3.58 avg rating — 19 ratings — published 2009 — 6 editions
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A Zone

0.00 avg rating — 0 ratings
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Recent Photographic Work

After completing my zine, Greenock/Gourock, mentioned in a previous post, I continued working on two other photo zines also relating to Greenock: Fifty and Greenock Central to Glasgow Central. I then decided to combine all three into a book, with the images from each zine as a separate section or chapter. The book is called Gourock, Greenock, Glasgow. Below are the intro texts for each zine (these

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Published on March 26, 2025 08:38
Europe in the Hig...
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Stardust
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by Joseph Kanon (Goodreads Author)
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Nightmare Alley
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Jonathan’s Recent Updates

Jonathan Walker and 1 other person liked Chris's review of Long Lankin:
Long Lankin by John Banville
"
She watched him go away down the road. He did not look back, and soon he was gone around a bend. She turned and walked slowly up the hill. The sun had fallen behind the mountains, and the clouds, like bruised blood, were massing.
— ‘The Visit’.
As a " Read more of this review »
Sex Crimes of the Futcher by Billy Childish
"Garage rock mavin and Sunday painter Billy Childish’s third novel is intriguing for its uncorrected text—the first work I’ve read from a dyslexic author where the inventive misspellings create a unique style that works in tandem with the alienation o" Read more of this review »
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Europe in the High Middle Ages 1150-1309 by John H. Mundy
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Patrick Melrose Volume 1 by Edward St. Aubyn
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Patrick Melrose Volume 1 by Edward St. Aubyn
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Patrick Melrose Volume 1 by Edward St. Aubyn
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Jonathan Walker is now following S̶e̶a̶n̶'s reviews
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Jonathan Walker and 2 other people liked Pete's review of Keshed:
Keshed by Stu Hennigan
"A stunning debut. Raw, visceral, real. Don't think I'll read much better this year."
Jonathan Walker and 1 other person liked Mark's review of Keshed:
Keshed by Stu Hennigan
"On the surface, Ketched is the story of a man trying and (repeatedly, self-sabotagingly) failing to conform to the roles prescribed to him: son, student, worker bee, partner, father, man. But the reasons for his failures are many, and they're not all" Read more of this review »
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Topics Mentioning This Author

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Reading the 20th ...: What books are you reading now? (2021) 1887 172 Jan 01, 2022 06:13AM  
George Saunders
“His mind was freshly inclined toward sorrow; toward the fact that the world was full of sorrow; that everyone labored under some burden of sorrow; that all were suffering; that whatever way one took in this world, one must try to remember that all were suffering (none content; all wronged, neglected, overlooked, misunderstood), and therefore one must do what one could to lighten the load of those with whom one came into contact; that his current state of sorrow was not uniquely his, not at all, but, rather, its like had been felt, would be felt, by scores of others, in all times, in every time, and must not be prolonged or exaggerated, because, in this state, he could be of no help to anyone and, given that his position in the world situated him to be either of great help, or great harm, it would not do to stay low, if he could help it.”
George Saunders, Lincoln in the Bardo

James Kelman
“Ninety-nine per cent of traditional English literature concerns people who never have to worry about money at all. We always seem to be watching or reading about emotional crises among folk who live in a world of great fortune both in matters of luck and money; stories and fantasies about rock stars and film stars, sporting millionaires and models; jet-setting members of the aristocracy and international financiers.”
James Kelman

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