D.A. Lockhart
Goodreads Author
Born
in Canada
Website
Genre
Influences
Richard Hugo, Campbell McGrath, Tony Ardizzone, Kurt Vonnegut, Philip
...more
Member Since
December 2012
URL
https://www.goodreads.com/wriverlockhart
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D.A. Lockhart
rated a book it was amazing
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| Outstanding short and flash fiction here. Get reading. | |
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D.A. Lockhart
rated a book liked it
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| Entertaining read. Interesting in its context and scope, dealing with climate change and housing insecurity. At times the character depictions are weak, confusing, and leave me wondering how they got to where they were in the story. Perhaps the book ...more | |
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D.A. Lockhart
rated a book it was amazing
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D.A. Lockhart
rated a book liked it
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| Found the characters to be cliched in terms of what is expected of Indigenous characters. Some clunky language. Decent story. | |
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D.A. Lockhart
rated a book really liked it
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D.A. Lockhart
rated a book liked it
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| Feels like the writer tried to do too much. Time travel and future mechanics of the novel are problematic and derail some of the storytelling. Character development was flat to weak. Rating reflects the potential and the early section enjoyment. Feel ...more | |
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D.A. Lockhart
rated a book it was ok
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| Diction of the novel tells that the book was hunting for a Giller. But it reads more like Eli Cash novel from Royal Tennebaums except it has less scene level control and a much less interesting storyline than any of Cash's nonexistent novels. It's sh ...more | |
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D.A. Lockhart
rated a book really liked it
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| Enjoyable read. Excellent living and breathing characters in this story. It truly feels alive. Toibin does well to capture the era and these specific and unique characters that inhabit it. | |
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D.A. Lockhart
rated a book did not like it
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| Hardly a "Best of" Canadian Poetry without significant Indigenous or Francophone work contained within. Cover design is amateurish. Very disappointing, Canada needs a better take on this series that moves us past the weak "old stock" selectivity of w ...more | |
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D.A. Lockhart
rated a book it was ok
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“Our memories and the songs that carry them forward to the next generations speak to the manner of where we have come from, construct the framework by which we measure our place.”
―
―
“Because history begins
by hammering chalk lines
onto sand and clay and only
stops when the last bank of lights
goes out for another prairie winter.
Yet, this summer night falls into
the white steady burn of streetlights
against a heavy ageless Indiana night.”
― This City at the Crossroads
by hammering chalk lines
onto sand and clay and only
stops when the last bank of lights
goes out for another prairie winter.
Yet, this summer night falls into
the white steady burn of streetlights
against a heavy ageless Indiana night.”
― This City at the Crossroads
“Concession to concession, this night
is ours. With lots of blueprint houses
burning their brick-base settler dream
into the land Tecumseh died for.”
― Big Medicine Comes to Erie
is ours. With lots of blueprint houses
burning their brick-base settler dream
into the land Tecumseh died for.”
― Big Medicine Comes to Erie
“Concession to concession, this night
is ours. With lots of blueprint houses
burning their brick-base settler dream
into the land Tecumseh died for.”
― Big Medicine Comes to Erie
is ours. With lots of blueprint houses
burning their brick-base settler dream
into the land Tecumseh died for.”
― Big Medicine Comes to Erie
“Because history begins
by hammering chalk lines
onto sand and clay and only
stops when the last bank of lights
goes out for another prairie winter.
Yet, this summer night falls into
the white steady burn of streetlights
against a heavy ageless Indiana night.”
― This City at the Crossroads
by hammering chalk lines
onto sand and clay and only
stops when the last bank of lights
goes out for another prairie winter.
Yet, this summer night falls into
the white steady burn of streetlights
against a heavy ageless Indiana night.”
― This City at the Crossroads
“Our memories and the songs that carry them forward to the next generations speak to the manner of where we have come from, construct the framework by which we measure our place.”
―
―
“The way the truth of it hits you
is less white-lighting whisky
more the slow arrival of fall
in a place that knows little
of hard, dug-in winters. Here
we are southerners playing
North, Appalachians denying
everything by the salvation
of the Lord, folks running from
those people everyone tries
to make us be. Daylight bends
through the trees and steady
songs of birds we cannot see.”
― This City at the Crossroads
is less white-lighting whisky
more the slow arrival of fall
in a place that knows little
of hard, dug-in winters. Here
we are southerners playing
North, Appalachians denying
everything by the salvation
of the Lord, folks running from
those people everyone tries
to make us be. Daylight bends
through the trees and steady
songs of birds we cannot see.”
― This City at the Crossroads
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