Osbert Lancaster

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Osbert Lancaster


Born
in London, England
August 04, 1908

Died
July 27, 1986

Genre


Born in London, Osbert Lancaster was educated at St Ronan's School, and then at Charterhouse and Lincoln College, Oxford.

He graduated with a fourth-class degree in English after an extra year beyond the normal three years of study. Intending a career in law, he failed his bar exams and instead entered the Slade School of Art in London.

Lancaster initially worked alongside Betjeman at 'The Architectural Review'. In 1936 he published 'Progress at Pelvis Bay', the first of his many books of social and architectural satire.

In 1939 he became cartoonist at the Daily Express, where he pioneered the Pocket Cartoon, a single-panel, single-column topical drawing appearing on the front page, since imitated in several British newspapers. In these he s
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Average rating: 3.72 · 692 ratings · 124 reviews · 127 distinct worksSimilar authors
A Cartoon History of Archit...

4.20 avg rating — 25 ratings — published 1959 — 10 editions
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Drayneflete Revealed

3.60 avg rating — 20 ratings — published 1949 — 16 editions
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The Littlehampton bequest

really liked it 4.00 avg rating — 16 ratings8 editions
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The Littlehampton Saga

3.57 avg rating — 14 ratings — published 1984 — 5 editions
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Pillar to Post: English Arc...

3.89 avg rating — 9 ratings — published 1939 — 8 editions
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Cartoons and Coronets: The ...

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4.13 avg rating — 8 ratings — published 2008 — 6 editions
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Sailing to Byzantium: An Ar...

3.22 avg rating — 9 ratings — published 1969 — 12 editions
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Homes Sweet Homes

3.63 avg rating — 8 ratings — published 1939 — 10 editions
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The Saracen's Head, or, the...

3.83 avg rating — 6 ratings — published 1948 — 13 editions
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Progress at Pelvis Bay

4.20 avg rating — 5 ratings — published 1936 — 12 editions
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Quotes by Osbert Lancaster  (?)
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“Structural truth at all costs war their motto and all buildings which attempted to conceal the true nature of their construction, or to disguise the materials in which they were carried out, stood convicted of acting a lie. That a high proportion of the buildings which many generations of man-kind had agreed to regard as masterpieces failed to reach this exalted standard was held to be quite irrelevant.
Unfortunately the new theory did not in practice prove quite so easy to carry out satisfactorily as hoped. Simplicity is not invariably and on every occasion a virtue, and while desperate attempts to lend some transient interest to a hopelessly uninspired structure by a top-dressing of cornice and pilasters are doubtless reprehensible, the bright, unvarnished truth tends too often to be even more depressing. After all few of us, by and large, look our best in the nude.”
Osbert Lancaster, Here, of All Places

“For at a certain point in time even the greatest architecture ceases to be completely architecture and becomes partially landscape. Sometimes the wheel at last turns full circles; the pyramids are now wholly landscape, Stonehenge but faintly architecture.
from the essay What should we preserve? in The Future of the Past
Osbert Lancaster

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