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Jorge Yacoman
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Born
in Santiago, Chile
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Genre
Influences
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November 2016
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Jorge Yacoman
rated a book it was amazing
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"Beautifully written short stories. Harrowing and moving
FREE PALESTINE 🇵🇸" |
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"Desgarrador y necesario."
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Jorge Yacoman
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Ida Hein Olsson's review
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Men in the Sun: And Other Palestinian Stories:
"En perfekt liten bok som gjorde ont men som också var en slags kärlekshandling.
Letter from Gaza och The land of sad oranges kändes mest. " |
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“the oppressor would not be so strong if he did not have accomplices among the oppressed”
Simone de Beauvoir |
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“Regardless of the staggering dimensions of the world about us, the density of our ignorance, the risks of catastrophes to come, and our individual weakness within the immense collectivity, the fact remains that we are absolutely free today if we choose to will our existence in its finiteness, a finiteness which is open on the infinite. And in fact, any man who has known real loves, real revolts, real desires, and real will knows quite well that he has no need of any outside guarantee to be sure of his goals; their certitude comes from his own drive.”
Simone de Beauvoir |
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| Es una mirada fragmentada sobre la búsqueda de las raíces, de la identidad. No hay un orden ni un formato literario consistente, a veces es como un ensayo, otras como pequeños cuentos o un diario de vida. Me gustaron muchas partes, en especial los vi ...more | |
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“I'm sick of not having the courage to be an absolute nobody.”
― Franny and Zooey
― Franny and Zooey
“Very often the test of one's allegiance to a cause or to a people is precisely the willingness to stay the course when things are boring, to run the risk of repeating an old argument just one more time, or of going one more round with a hostile or (much worse) indifferent audience. I first became involved with the Czech opposition in 1968 when it was an intoxicating and celebrated cause. Then, during the depressing 1970s and 1980s I was a member of a routine committee that tried with limited success to help the reduced forces of Czech dissent to stay nourished (and published). The most pregnant moment of that commitment was one that I managed to miss at the time: I passed an afternoon with Zdenek Mlynar, exiled former secretary of the Czech Communist Party, who in the bleak early 1950s in Moscow had formed a friendship with a young Russian militant with an evident sense of irony named Mikhail Sergeyevitch Gorbachev. In 1988 I was arrested in Prague for attending a meeting of one of Vaclav Havel's 'Charter 77' committees. That outwardly exciting experience was interesting precisely because of its almost Zen-like tedium. I had gone to Prague determined to be the first visiting writer not to make use of the name Franz Kafka, but the numbing bureaucracy got the better of me. When I asked why I was being detained, I was told that I had no need to know the reason! Totalitarianism is itself a cliché (as well as a tundra of pulverizing boredom) and it forced the cliché upon me in turn. I did have to mention Kafka in my eventual story. The regime fell not very much later, as I had slightly foreseen in that same piece that it would. (I had happened to notice that the young Czechs arrested with us were not at all frightened by the police, as their older mentors had been and still were, and also that the police themselves were almost fatigued by their job. This was totalitarianism practically yawning itself to death.) A couple of years after that I was overcome to be invited to an official reception in Prague, to thank those who had been consistent friends through the stultifying years of what 'The Party' had so perfectly termed 'normalization.' As with my tiny moment with Nelson Mandela, a whole historic stretch of nothingness and depression, combined with the long and deep insult of having to be pushed around by boring and mediocre people, could be at least partially canceled and annealed by one flash of humor and charm and generosity.”
― Hitch 22: A Memoir
― Hitch 22: A Memoir
“An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.”
― Franny and Zooey
― Franny and Zooey
“Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.”
― Nine Stories
― Nine Stories
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